정훈과 김득연의 강호가사에 나타난 四季의 形象과 흥취 표출

Abstract

The purpose of this research is to review the aspect of the expression of conflict focusing on the reflected in the shape of the four seasons in 17th century Ganghogasa. The research look into three works, Jeong Hun’s 「Sunambangongga」 and 「Yongchuyouyeongga」 and Kim Deuk Yeon's 「Jisujungga.」 They are not who left government service but who couldn't enter government service. In most of the descriptions 「Sunambangongga」's four seasons doesn't convey Gusto in Nature and just conventionally imitate the traditional appreciation of nature. Describing the specific life experience in some part of the statements about spring awkwardly comes along with the statements on appreciation of nature only as the conventional imitation. The awkwardness prevents the expression of Gusto in Nature and throws the purpose to resemble the traditional life style of Gangho into the shade. The four seasons of 「Yongchuyouyoungga」, which is phatic and conventional imitation, also take after the traditional Ganghogasa's expression, therefore, they fail to carry the true Gusto in Nature. The statements of each season are relatively equally composed and developed. For the conventional statement attitude the formal stiffness stands out and doesn't carry out the true Gusto in Nature. At the end of the statements, the conflict of emotion gently comes out as implying the writer's situation. The four seasons of 「Jisujungga」 natuarally express the Gusto in Naturt as the narrator's image reflected in the statements about the distinguishing scenery of nature from each season. By the way of conclusion the true emotion comes out from behind the actual life. This implies the dissolution of the conflict as the truth of the conflict comes to the fore through the expression of the Gusto in Nature.