郁达夫與玄镇健的创作风格比较
A Comparative Study of Yu Dafu's and Hyun Jingun's Writing Styles-Mainly on the means of "merging feeling with scenery"about"Wistaria and Dodder"and "Poor Man's Wife"
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郁達夫和玄鎮健分別是中韓兩國二十年代文壇上的領軍作家,他們作品中的主人公人物形象以當時的知識分子爲主要原型,他們二者的作品中,知識分子的貧寒處境,以及被這種貧寒處境打敗的他們的“夫人”經常登場。 所謂“情景交融”指文藝作品中環境的描寫、氣氛的渲染跟人物思想感情的抒發結合得很緊密,因此,將情感寄托在風景描寫上的情況也適用于此。 郁達夫《蔦蘿行》和玄鎮健《貧妻》無論是自然、環境、景物的描寫,還是對人物、心理的描寫,都大量融入了作者強烈的主觀情緒。這種結合,即情景交融, 把抒發人物的感情與景物描寫緊密聯系起來,相比于單純以人物爲中心的敘述而言更具藝術感染力。通過對這兩部作品的情景交融爲中心進行比較分析,可以再次確認藝術感染力的大小不在于作品中事件的大小,而在于角度之新穎、感情之真切。
Abstract
Yu Dafu and Hyun Jingun are writers that represent early 20th century literature in China and Korea. Their characters are mainly the intellectuals of the era. The writers show the intellectuals’ poor living conditions and their dying wives, as they appear often in such situations. ‘Qingjingjiaorong (情景交融)’ is defined as connecting the description of environment and atmosphere with the characters’ thoughts and emotions. The term includes when the emotions are reflected on the portrayal of the scene. Yu Dafu’s 《Wistaria and dodder》 and Hyun Jingun’s 《Poor Man’s Wife》 show plenty of examples where the writer’s subjective emotions are applied to the description of the environment, circumstance, scenery, and to the depiction of the emotion. This combination, or ‘Qingjingjiaorong (情景交融)’ blends character’s sentiments and depiction of scenery, thus reinforces literature’s aesthetics rather than simply narrating in character’s perspective. By conducting comparative analysis mainly on these two writings’ Qingjingjiaorong (情景交融), it was possible to reconfirm that the uniqueness of the perspective or honest, realistic emotions play bigger role in artistic effects rather than the size of events in plots.
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