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돈(銀)과 유곽문화 - 『게이세 이로쟈미센(けいせい色三味線)』의 경우 -

Money and Culture of red - light distrcts - Focusing on Keisei Irozyamisen(けいせい色三味線) -

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銀と遊廓文化 -『けいせい色三味線』の場合- 高永爛  本稿は江島其磧(1666-1735)作『けいせい色三味線』(1701)に描かれた銀と遊廓の描写に焦点を当てたものである。これに焦点を当てて分析したときはじめて江島其磧作町人物の世界が理解できるからである。分析の結果、好色物の延長線で評価されてきた『けいせい色三味線』には商業としての遊廓や遊廓で財を失う町人が描かれていた。もちろん、商人達は己れの業である蓄財と遊廓文化は相容れない事を十分知りつつも、遊廓にて己れの欲望を表出するしかないのであった。ここに町人階級の悲哀が見え隠れする。このため、商人は遊廓で財産を失いつつも欲望を満しては満足し、一方でまた蓄財に駆り立てられたりもする。このような商人のジレンマを上手く描き出しているのが『けいせい色三味線』の一特色でもある。以上により、『けいせい色三味線』は好色の世界を描きつつも、商人の蓄財と欲望の間で揺れ動く心理的深淵を見せてくれる作品として、江島其磧の町人物の先駆けの作品としても、再度評価し得るのである。

Abstract

Money and Culture of red-light distrcts -Focusing on Keisei Irozyamisen(けいせい色三味線)- Koh, Young-Ran  This study focuses on Keisei Irozyamisen(けいせい色三味線) which was written by Ezima Kiseki(1666-1735). The work described merchant's money and the culture of red-light districts, so we can analyze the merchants lifestyles as described in the study.  First of all, Keisei Irozyamisen described the red-light districts as spaces of business, so the merchant lost his money to pay for the prostitutes and the prostitutes wanted to earn money. Certainly, the merchants knew the fact if they went to the red-light districts, they would lose their money. But they were eager for the love affairs with the prostitutes, nonetheless they ran through their fortune. This fact reflects the merchants living in those days dilemma between earning money and desire. And the dilemma of merchants was further discussed in Kiseki's Choninmono. So we can understand that Keisei Irozyamisen described not only love affairs but also the merchant’s dilemma. Then we can understand Kiseki's recognition about the merchant's life began with the Keisei Irozyamisen.

참고문헌 (10)

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