본문 바로가기
KERD
논문KCI 등재

개인과 팀 창의성, 수직적 통합이 성과에 미치는 영향에 대한 실증연구: 한국 음반 산업을 대상으로

The Effect of Individual, Team Creativity and Vertical Integration on Performance: The Case of the Korean Music Industry

이진주|박남규|송경미
한국전략경영학회 (Korean Strategic Management Society)|2015.12|전략경영연구 (Journal of Strategic Management)|제18권 제3호|pp. 97-124|DOI 10.17786/jsm.2015.18.3.005

0

조회

0

다운로드

5

인용

0

참고문헌

키워드

Vertical Integration수직적 통합Boundary Spanning개인 및 팀 창의성영역초월Individual and Team Creativity
주제분류경영학

초록

본 연구는 개인 혹은 예술적 협업을 위해 구성된 팀 창의성이 창의적 성과에 미치는 영향과, 이러한 창의적 성과가 실제 경제적 성과로 나타나기 위해 유통기능의 수직적 통합이 적합한가에 대한 탐구를 목적으로 하고 있다. 이를 위해 2007~2011년의 한국 음반 산업 데이터를 활용하여 개인과 팀 창의성, 영역 초월(boundary spanning) 여부, 그리고 유통기능의 수직적 통합 여부가 음반의 창의적 성과와 경제적 성과에 어떠한 영향을 미치는지에 대해 분석하였다. 연구 결과, 팀 창의성이 높은 경우 그리고 가수가 영역 초월 아티스트인 경우, 발매한 음반의 창의적 성과가 높게 나타났다. 또한 일반적으로 음반의 창의적 성과가 높은 경우 경제적 성과가 높게 나타났으나, 음반 제작기획사와 유통기능의 수직적 통합이 이루어진 경우, 이 관계를 부정적으로 조절(moderate)하는 것으로 나타났다. 본 연구는 문화산업 내 창의적 성과 창출과 관련하여, 인적자원이 갖고 있는 창의성에 대한 활용방법과 수직적 통합전략에 주목했다는 측면에서 중요한 이론적, 실무적 시사점을 제시하고 있다.

Abstract

This study examines the relationships between creativity of individuals or artistic teams, vertical integration, and performance. We study the Korean music industry during the period of 2007 to 2011, and analyze how individual or team creativity, boundary spanning, and vertical integration of distribution function affect creative and economic performance. We find positive relationships between team creativity, boundary spanning and creative performance. We also find that vertical integration between a record production and distribution function negatively moderates the positive relationship between creative and economic performance. Our study calls for attention to the effective use of creative resources and the role of vertical integration in achieving both the creative and economic performances.

참고문헌 (80)

  1. 손태원, "창의성경영의 구성차원과 경영성과와의 관련성에 관한 탐색적 연구", 조직과 인사관리연구, 26(3) (2002), 한국인사관리학회
  2. 신형덕, "인과적 불확실성, 기업역량, 그리고 성과: 2000-2007년 한국의 음반 산업을 중심으로", 전략경영연구, 14(3), pp.1~20 (2011), 한국전략경영학회
  3. 이근재, "한국 영화산업에서 수직 결합이 영화 상영에 미치는 영향: 상영배제, 상영기간 차별 및 다양성을 중심으로", 경제학연구, 57(2), pp.63~92 (2009), 한국경제학회
  4. 임성준, "한국 음반제작시스템에 관한 탐색적 연구", 전략경영연구, 7(1), pp.1~32 (2004), 한국전략경영학회
  5. 임성준, "음반 제작주체의 역량 및 제작시스템이 흥행에 미치는 영향에 관한 연구(2002~2006년 한국 음반 산업을 대상으로)", 전략경영연구, 11(2), pp.131~154 (2008), 한국전략경영학회
  6. 최영준, "한국 영화산업에서의 수직 통합과 영화 상영일수 관계", 국제경영리뷰, 11(1), pp.73~89 (2007), 한국국제경영관리학회
  7. 국내 음악시장 장르 편중 현황분석 보고서, "한국콘텐츠진흥원", 한국콘텐츠진흥원, ~ (2009)
  8. 2010 음악산업백서, "한국콘텐츠진흥원", 한국콘텐츠진흥원, ~ (2010)
  9. Amabile, T. M., "A model of creativity and innovation in organizations" (1988), JAI Press
  10. Amabile, T. M., "Creativity in context" (1996), Westview
  11. Barney, J. B., "Firm resources and sustained competitive advantage", Journal of Management, 17(1), pp.99~120 (1991)
  12. Baron, R. M., "The moderator-mediator variable distinction in social psychological research : Conceptual, strategic., and statistical considerations", Journal of Personality and Social Psychology, 6, pp.1173~1182 (1986)
  13. Basuroy, S., "How critical are critical reviews? The box office effects of film critics, star power and budgets", Journal of Marketing, 4, pp.103~117 (2003)
  14. Bhattacharjee, S., "The effect of digital sharing technologies on music markets: A survival analysis of albums of ranking charts", Management Science, 53(9), pp.1359~1374 (2007)
  15. Blackstone, E. A., "Vertical integration in motion pictures", Journal of Communication, 49(1), pp.123~139 (1999)
  16. Burnett, R., "The global jukebox" (1996), Routledge
  17. Campbell, D. T., "Blind variation and selective retentions in creative thought as in other knowledge processes", Psychological Review, 67, pp.380~400 (1960)
  18. Caves, R. E., "Creative industries: Contracts between art and commerce" (2000), Harvard University Press
  19. Cattani, G., "A core", periphery perspective on individual creative performance : Social network and cinematic achievements in the Hollywood film industry, 2008, pp.19(6), 824~844
  20. Chipty, T., "Vertical integration Market foreclosure and consumer welfare in the cable television industry", American Economic Review, 91(3), pp.429~453 (2001)
  21. Choi, J. N., "Individual and contextual predictors of creative performance: The mediating role of psychological processes", Creativity Research Journal, 16(2, pp.3) (2004), 187~199
  22. Csikszentmihalyi, M., "The nature of creativity:Contemporary psychological perspectives" (1988), Cambridge University Press
  23. Csikszentmihalyi, M., "Flow: the psychology of optimal experience" (1990), Harper Row
  24. Csikszentmihalyi, M., "Creativity: Flow and the psychology of discovery and invention" (1996), Harper Collings
  25. Csikszentmihalyi, M., "Handbook of Creativity" (1999), Cambridge University Press
  26. DeFillippi, R., "Introduction to paradoxes of creativity : managerial and organizational challenges in the cultural economy", Journal of Organizational Behavior, 28(5), pp.511~521 (2007)
  27. Delmestri, G., "Reputation and strength of ties in predicting commercial success and artistic merit of independents in the Italian feature film industry", Journal of Management Studies, 42(5), pp.975~1002 (2005)
  28. "Creative Industries Mapping Document" (1998)[URL]
  29. Eisenhardt, K. M., "Organizational growth: Linking founding team, strategy, environment., and growth among U.S. semiconductor ventures, 1978~1988", Administrative Science Quarterly, 35, pp.504~529 (1990)
  30. Faulkner, R. R., "Short term projects and emergent careers : Evidence from Hollywood", American Journal of Sociology, 92, pp.879~909 (1987)
  31. Ferriani, S., "The relational antecedents of projectentrepreneurship : Network centrality, team composition and project performance", Research Policy, 38(10), pp.1545~1558 (2009)
  32. Ferriani, S., "Organizational Learning under organizational impermanence : Collaborative ties in film project firms", Journal of Management and Governance, 9(3), pp.257~285 (2005)
  33. Fleming, L., "Collaborative brokerage, generative creativity., and creative success", Administrative Science Quarterly, 52(3), pp.443~475 (2007)
  34. Florida, R., "The rise of the creative class and how it's transforming work, leisure, community and everyday life" (2002), Harper Row
  35. Ginsburgh, V., "Awards, success and aesthetic quality in the arts", The Journal of Economic Perspectives, 17(2), pp.99~111 (2003)
  36. Glynn, M. A., "Innovative genius : A framework for relating individual and organizational intelligences to innovation", Academy Management Review, 21, pp.1081~1111 (1996)
  37. Glynn, M. A., "When cymbals become symbols : Conflict over organizational identity within a symphony orchestra", Organization Science, 11(3), pp.285~298 (2000)
  38. Glynn, M. A., "From the critics' corner : Logic blending, discursive change and authenticity in a cultural production system", Journal of Management Studies, 42(5), pp.1031~1055 (2005)
  39. Guilford, J. P., "Creativity", American Psychologist, 5(9), pp.444~454 (1950)
  40. Haldia, A. L., "Commercial success and artistic recognition of motion picture projects", Journal of Cultural Economics, 34, pp.45~80 (2010)
  41. Hansen, M. T., "Knowledge networks : Explaining effective knowledge sharing in multiunit companies", Organization Science, 13(3), pp.232~248 (2002)
  42. Hargadon, A., "When collections of creatives become creative collectives : A field study of problem solving at work", Organization Science, 17, pp.484~500 (2002)
  43. Hirsch, P., "Cultural industries revisited", Organization Science, 11(3), pp.356~361 (2000)
  44. Helfat, C. E., "Vertical integration and risk reduction", Journal of Law, Economics and Organization, 3(1), pp.47~67 (1987)
  45. Huygens, M., "Co-evolution of firm capabilities and industry competition : Investigating the music industry, 1877~1997", Organization Studies, 22(6), pp.4971~1011 (2001)
  46. Idson, T. L., "Team effects on compensation : An application to salary determination in the National Hockey League", Economic Inquiry, 38, pp.345~357 (2000)
  47. John, G., "Forward integration into distribution : An empirical test of transaction cost analysis", Journal of Law, Economics., and Organization, 4(2), pp.337~355 (1988)
  48. Jones, C., "Manufactured Authenticity and Creative Voice in Cultural Industries", Journal of Management, 42(5), pp.893~899 (2005)
  49. Kremer, M., "The o-ring theory of economic development", Quarterly Journal of Economics, 108, pp.551~575 (1993)
  50. Lampel, J., "Balancing act : Learning from organizing practices in cultural industries", Organization Science, 11, pp.263~269 (2000)
  51. Lampel, J., "Capabilities in motion : new organizational forms and the reshaping of the Hollywood movie industry", Journal of Management Studies, 40, pp.2189~2210 (2003)
  52. Leibenstein, H., "Bandwagon, snob and Veblen effects in the theory of consumers’demand", Quarterly Journal of Economics, 64, pp.183~207 (1950)
  53. Leonard, D., "When Sparks Fly:Igniting Creativity in Groups" (1999), Harvard Business School Press
  54. Mezias, J. M., "Resource Partitioning, the founding of specialist firms., and innovation : The American feature film industry", Organization Science, 11(3), pp.306~322 (2000)
  55. Miller, D., "The Resourcebased view of the firm in two environments : The Hollywood film studios from 1936 to 1965", Academy of Management Journal, 39(3), pp.519~543 (1996)
  56. Mol, J. M., "Value chain envy : Explaining new entry and vertical integration in popular music", Journal of Management Studies, 42(2), pp.251~276 (2005)
  57. Nelson, R. A., "What’s an Oscar worth?", Economic Inquiry, 39(1), pp.1~16 (2001)
  58. Nonaka, I., "A dynamic theory of organizational knowledge creation", Organization Science, 5(1), pp.14~37 (1994)
  59. Oldham, G. R., "Employee creativity : Personal and contextual factors at work", Academy of Management Journal, 39, pp.607~634 (1996)
  60. Pache, A. -C., "When worlds collide : The internal dynamics of organizational response to conflicting institutional demands", Academy Management Review, 35(3), pp.455~476 (2010)
  61. Perretti, F., "Filling empty seats : How status and organizational hierarchies affect exploration versus exploitation in team design", Academy of Management Journal, 49(4), pp.759~777 (2006)
  62. Perry-Smith, J. E., "The social side of creativity : A static and dynamic social network perspective", Academy of Management Review, 28, pp.89~106 (2003)
  63. Peterson, R. A., "Entrepreneurship in organizations : Evidence from the popular music industry", Administrative Science Quarterly, 16, pp.97~106 (1971)
  64. Schilling, M. A., "A ‘Small World’ network model of cognitive insight", Creativity Research Journal, 2, pp.131~154 (2005)
  65. Shalley, C. E., "Effects of productivity goals, creativity goals., and personal discretion on individual creativity", Journal of Applied Psychology, 76, pp.179~185 (1991)
  66. Simonton, D. K., "Latent-variable models of posthumous reputation : A quest for Galton's G", Journal of Personality and Social Psychology, 60(4), pp.607~619 (1991)
  67. Simsek, Z., "CEO tenure and organizational performance : an intervening model", Strategic Management Journal, 28(6), pp.653~662 (2007)
  68. Starkey, K., "Beyond networks and hierarchies : Latent organizations in the UK television industry", Organization Science, 11(3), pp.299~305 (2000)
  69. Strobl, E. A., "The dynamics of chart success in the U. K. pre-recorded popular music industry", Journal of Cultural Economics, 24(2), pp.113~134 (2000)
  70. Szulanski, G., "Exploring internal stickiness : Impediments to the transfer of best practice within the firm", Strategic Management Journal, 17, pp.27~43 (1996)
  71. Taggar, S., "Individual creativity and group ability to utilize individual creative resources : A multilevel model", Academy of Management Journal, 45(2), pp.315~330 (2002)
  72. Taylor, A., "Superman or the fantastic four? Knowledge combination and experience in innovative teams", Academy of Management Journal, 49(4), pp.723~740 (2006)
  73. Tsai, W., "Knowledge transfer in intra-organizational networks : Effects of network position and absorptive capacity on business unit innovation and performance", Academy of Management Journal, 44, pp.996~1004 (2001)
  74. Tushman, M., "External communication and project performance : an investigation into the role of gatekeepers", Management Science, 26, pp.1071~1085 (1980)
  75. Uzzi, B., "Collaboration and creativity", American Journal of Sociology, 111, pp.447~504 (2005)
  76. Wallis, R., "Big Sounds from Small People: The Music Industry in Small Countries" (1984), Constable
  77. Williamson, O. E., "Markets and Hierarchies" (1975), Free Press
  78. Woodman, R. W., "Toward a Theory of Organizational Creativity", Academy of Management Review, 18(2), pp.293~321 (1993)
  79. Zhou, J., "When the presence of creative coworkers is related to creativity : Role of supervisor close monitoring, developmental feedback., and creative personality", Journal of Applied Psychology, 88, pp.413~422 (2003)
  80. Zhou, J., "Handbook of Organizational Creativity" (2008), Lawrence Erlbaum

관련 논문AI추천

인과적 불확실성, 기업역량, 그리고 성과: 2000-2007년 한국의 음반 산업을 중심으로신형덕, 홍성효한국전략경영학회 · 전략경영연구2011 · 제14권 제3호개인창의성과 집단창의성의 관계에서 통합능력과 지식공유의 매개효과김현진, 설현도한국지식경영학회 · 지식경영연구2014 · 제15권 제4호팀의 다양성 및 교환관계가 팀 창의성과 팀 성과에 미치는 영향이희옥, 정동섭한국인적자원관리학회 · 인적자원관리연구2017 · 제24권 제3호음반 제작주체의 역량 및 제작시스템이 흥행에 미치는 영향에 관한 연구(2002~2006년 한국 음반 산업을 대상으로)윤문수, 임성준한국전략경영학회 · 전략경영연구2008 · 제11권 제2호한국 문화콘텐츠산업의 성장과정에서 정부지원의 영향: 산업구조와 기업성과를 중심으로김병수, 김자영한국문화관광연구원 · 문화정책논총2023 · 제37권 제1호개인창의성 및 사회창의성이 창의적 산출에 미치는 효과 분석김진철, 박춘성한국창의력교육학회 · 창의력교육연구2016 · 제16권 제1호

이 간행물의 다른 논문 (4건)

특허풀 관여도와 글로벌 시장에 대한 주의도가 기술성과에 미치는 영향김봉선, 김언수, 김나미pp. 1-24역량과 불확실성이 지식추구형 해외직접투자 시기에 미치는 영향: 일본 제약/화학 다국적 기업의 해외연구소 설립을 중심으로박연진, 김상지, 이제호, 송재용pp. 25-49기업의 네트워크 특성이 기술협력 효과에 미치는 영향에 대한 연구윤우진, 김현창pp. 51-70연구개발(R&D) 투자를 통한 경쟁력 창출: 경로의존성 및 자원특성의 역할이재혁, 양지원pp. 71-96
원문 보기