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엘리엇의 예이츠론: 그 시와 시학

Eliot on Yeats: Poetry and Poetics

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Eliot seems to have been much impressed by Yeats's poetics and poetic techniques, in particular the union of emotion and reason. Not only is Yeats a supreme Romantic - he is a poet of mysticism. To Eliot, Yeats is not just a great poet, but a great craftsman; Yeats's reputation as such a poet has remained strong, from the beginning up until now, as Eliot has foreseen. In Yeats's works, there are both aesthetic and mysterious elements, and just as we could call him a romantic-mystic poet. Eliot thinks highly of Yeats's pure poetry, with poetics based on the principle of art for art's sake. He praises Yeats as a great poet-craftsman, as we have seen in his works above. Yeats has been under the influence of French symbolists's poetic techniques, such as those of Baudelaire, Mallareme,. Neval, Verlaine. In Yeats's works, there is their influence.

Abstract

Eliot seems to have been much impressed by Yeats's poetics and poetic techniques, in particular the union of emotion and reason. Not only is Yeats a supreme Romantic - he is a poet of mysticism. To Eliot, Yeats is not just a great poet, but a great craftsman; Yeats's reputation as such a poet has remained strong, from the beginning up until now, as Eliot has foreseen. In Yeats's works, there are both aesthetic and mysterious elements, and just as we could call him a romantic-mystic poet. Eliot thinks highly of Yeats's pure poetry, with poetics based on the principle of art for art's sake. He praises Yeats as a great poet-craftsman, as we have seen in his works above. Yeats has been under the influence of French symbolists's poetic techniques, such as those of Baudelaire, Mallareme,. Neval, Verlaine. In Yeats's works, there is their influence.

참고문헌 (23)

  1. 김정규, "상징과 이미지 분석에 의한 예이츠 시의 주제 연구" (2004), 경남대학교 출판부
  2. 서혜숙, "예이츠: 존재의 완성을 향하여" (1995), 건국대학교 출판부
  3. 양병현, "Yeats와 Eliot의 문학적 상상과 종교적 상징", 한국예이츠저널, 13, pp.75~99 (2000)
  4. 이명용, "Yeats와 Eliot 시에 나타난 죽음에 관한 연구", 한국예이츠저널, 10, pp.225~244 (1999)
  5. 이세순, "Yeats와 Eliot의 시적 표현 수법의 비교", 한국영어영문학회, 17, pp.149~168 (1980)
  6. 이진환, "W. B. Yeats의 시에 나타난 갈등과 초월", 한국중앙영어영문학회, 19, pp.97~126 (1981)
  7. 한국예이츠학회, "탑 (The Tower)" (2006), 건국대학교 출판부
  8. Allt, Peter, "The Variorum Edition of the Poems of W. B. Yeats" (1940), Macmillan Publishing Co.
  9. Bate, A. J., "Yeats and the Symbolist Aesthetic", MLN, 98(5), pp.1214~1233 (1983)
  10. Bornstein George, "Transformations of Romanticism in Yeats, Eliot, and Stevens" (1976), U of Chicago P.
  11. Brooks, Cleanth, "Understanding Poetry. 4th ed" (1988), Harcourt Brace College Publishers
  12. Cowell, Raymond, "Critics on Yeats" (1971), George Allen &Unwin
  13. Craig, Cairns, "Yeats, Eliot, Pound and the Politics of Poetry" (1982), U of Pittsburgh P.
  14. Dyson, A. E., "Yeats, Eliot and R. S. Thomas: Riding the Echo" (1981), The Macmillan Press Ltd.
  15. Eliot. T. S., "On Poetry and Poets" (1957), Faber and Faber
  16. Hermans, Theo, "The Structure of Modernist Poetry" (1982), Croom Helm Ltd.
  17. Kermode, Frank, "Romantic Image" (1961), Routledge and Kegan Paul
  18. Page, Norman, "The Language of Literature" (1984), Macmillan Press
  19. Parkinson, Thomas, ". B. Yeats: Self-Critic and the Later Poetry" (1971), U of California P.
  20. 이영석, "Painterly Poeticizing in W. B. Yeats's Poetry", 한국 예이츠 저널, 20, pp.181~200 (2003), 한국예이츠학회
  21. Robson, W. W., "Modern English Literature" (1970), Oxford UP
  22. Schuchard, Ronald, "First-Rate Blasphemy": Baudelaire and the Revised Christian Idiom of T. S. Eliot's Moral Criticism", ELH, 42(2), pp.276~295 (1975)
  23. Unterecker, John, "Yeats: A Collection of Critical Essays" (1963), Prentice- Hall, Inc.

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