Friel and the Reinscription of Yeats in the Irish Dramatic Tradition
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Studies of Yeats have approached the question of his dramatic contributions in two ways: Yeats as the spiritual and practical leader of the Irish Dramatic Movement and Yeats as the modernist precursor of the “European” dramas of Beckett and Pinter. However, the question of where Yeats the dramatist stands in the Irish dramatic tradition has often been neglected or tangentially examined. This paper, the second of a two-part study, attempts to bring Yeats back from the margin of Irish drama and reinstate him more fully into that tradition by establishing formal and thematic connections between Yeats and Friel. In so doing, the paper brings in the concepts of antinomy and séance as a step toward a reformulation of the Irish dramatic tradition.
Abstract
Studies of Yeats have approached the question of his dramatic contributions in two ways: Yeats as the spiritual and practical leader of the Irish Dramatic Movement and Yeats as the modernist precursor of the “European” dramas of Beckett and Pinter. However, the question of where Yeats the dramatist stands in the Irish dramatic tradition has often been neglected or tangentially examined. This paper, the second of a two-part study, attempts to bring Yeats back from the margin of Irish drama and reinstate him more fully into that tradition by establishing formal and thematic connections between Yeats and Friel. In so doing, the paper brings in the concepts of antinomy and séance as a step toward a reformulation of the Irish dramatic tradition.
참고문헌 (25)
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