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A. R. 에먼즈의 시의 비전: 포스트 모던과 생태적 접근

The Vision of Ammons’s Poetry: Post-modern and Ecological Approach

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This paper focuses on A. R. Ammons's vision of plants and fungi in the light of ecology and post-modernism. Ammons incorporated ecological and post-modern symbol of plants and fungi including lichen, moss, weed and grass into his poetry. He also recognizes values in the seemingly insignificant, and finds the hidden meanings of the common, the little, the small, the unnoticed, and the lowly. Ammons already disclosed the importance and values of these little things in the ecosystem of nature. While looking at what is lowly, he found the absolute and symbiotic relationship among the lowly, the hidden, and the unnoticed. In general, three kingdoms of classification consist of fungi, plants and animals in scientific terms. In this paper, I chose two kingdoms, which have the symbolic meanings. Ammons values the periphery and the dark over the beautiful, which man prefers. To deconstruct the opposites, he ventures to overturn the artificial or man-made hierarchy of nature. The evidence that Ammons overturned the hierarchy is indicated in that he valued those that are common, unnoticed, lowly, and insignificant in his poetry. This ecological vision of Ammons coincides with the deconstructive strategy of Derrida, in that they both resist aqainst the violent unity by which human reason controls in nature.

Abstract

This paper focuses on A. R. Ammons's vision of plants and fungi in the light of ecology and post-modernism. Ammons incorporated ecological and post-modern symbol of plants and fungi including lichen, moss, weed and grass into his poetry. He also recognizes values in the seemingly insignificant, and finds the hidden meanings of the common, the little, the small, the unnoticed, and the lowly. Ammons already disclosed the importance and values of these little things in the ecosystem of nature. While looking at what is lowly, he found the absolute and symbiotic relationship among the lowly, the hidden, and the unnoticed. In general, three kingdoms of classification consist of fungi, plants and animals in scientific terms. In this paper, I chose two kingdoms, which have the symbolic meanings. Ammons values the periphery and the dark over the beautiful, which man prefers. To deconstruct the opposites, he ventures to overturn the artificial or man-made hierarchy of nature. The evidence that Ammons overturned the hierarchy is indicated in that he valued those that are common, unnoticed, lowly, and insignificant in his poetry. This ecological vision of Ammons coincides with the deconstructive strategy of Derrida, in that they both resist aqainst the violent unity by which human reason controls in nature.

참고문헌 (15)

  1. 양재용, "A. R. 에몬즈의 시와 동양의 관(觀)", 동서비교문학저널, (11), pp.87~116 (2004), 한국동서비교문학학회
  2. Ammons, A. R, "Collected Poems 1951-1971" (1972), W. W. Norton
  3. Ammons, A. R, "Garbage" (1998), W. W. Norton
  4. Ammons, A. R, "Tape for the Turn of the Year" (1965), W. W. Norton
  5. Bloom, Harold. A. R, "Ammons" (1986), Chelsea House
  6. Bloom, Harold. A. R, "The Ringers in the Tower: Studies in Romantic Tradition" (1971), U of Chicago P
  7. Burak, David, "Considering the Radiance" (2005), W. W. Norton
  8. Derrida, Jacques, "Positions. Tr. and Annotated" (1981), U of Chicago P
  9. Elder, John, "Imagining the Earth: the Poetry and the Vision of Nature" (1985), U of Illinois P
  10. Holder, Alan. A. R, "Ammons" (1978), Hunter College of the City U of New York
  11. Kirschten, Robert, "Critical Essay on A. R. Ammons" (1997), G. K. Hall
  12. Kirschten, Robert, "Approaching Prayer" (1998), Louisiana UP
  13. Koch, Michael, "Epoch" (2004), Cornell UP
  14. Lehman, David, "“Introduction” A. R. Ammons Selected Poems", pp.xiii~xxv (2006), The Library of America
  15. Schneider, Steven, "The Long Poem as a Geological Force, In Complexities of Motion", pp.136~166 (1999), Associated UP

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