The Ghost in Shakespeare’s Hamlet and Yeats’s The Only Jealousy of Emer (1919)
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The mood Yeats creates through the ghost in The Only Jealousy of Emer is uncanny and eerie and is similar to what Shakespeare does in his play, Hamlet, which was considered to be an innovative way of telling a ghost story at the time of its composition in the Renaisance. In this paper, I will discuss Yeats’s use of ghost in The Only Jealousy of Emer and compare it with Shakespeare’s use of ghost in Hamlet, the technique of which has now become classical.
Abstract
The mood Yeats creates through the ghost in The Only Jealousy of Emer is uncanny and eerie and is similar to what Shakespeare does in his play, Hamlet, which was considered to be an innovative way of telling a ghost story at the time of its composition in the Renaisance. In this paper, I will discuss Yeats’s use of ghost in The Only Jealousy of Emer and compare it with Shakespeare’s use of ghost in Hamlet, the technique of which has now become classical.
참고문헌 (7)
- Catherine Belsey, "Shakespeare’s Sad Tale for Winter: Hamlet and the Tradition of Fireside Ghost Stories", Shakespeare Quarterly, 61(1), pp.1~27 (2010)
- Davies, Owen, "Grimoires: A History of Magic Books" (2009), Oxford UP
- Davies, S.F, "The Reception of Reginald Scot’s Discovery of Witchcraft:Witchcraft, Magic, and Radical Religion", Journal of the History of Ideas, 74(3), pp.381~401 (2013)
- Joseph, Miriam, "Discerning the Ghost in Hamlet", PMLA, 12(4), pp.393~421 (1917)
- Hennessey, Oliver, "Talking with the Dead: Leo Africanus, Esoteric Yeats, and Early Modern Imperialism", ELH, 71(4), pp.1019~1038 (2004)
- Shakespeare, Williams, "The Tragedy of Hamlet. The Riverside Shakespeare" (1974), Houghton
- Yeats, W. B, "The Variorum Edition of The Plays of W. B. Yeats" (1989), Macmillan