Yeats and the Sublime: The Dreaming of the Bones and The Only Jealousy of Emer
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This paper discusses the poetics of shadows and shades and how they are associated with the sense of the sublime in Yeats’s two poetic plays, The Only Jealousy of Emer and The Dreaming of the Bones. The major characters toward the end of the plays arrive at an epiphany after all the dreamlike state of conflicting emotions. This paper uses Edmund Burke’s idea of pain and terror to explain the effects of the sublime in Yeats’s plays.
Abstract
This paper discusses the poetics of shadows and shades and how they are associated with the sense of the sublime in Yeats’s two poetic plays, The Only Jealousy of Emer and The Dreaming of the Bones. The major characters toward the end of the plays arrive at an epiphany after all the dreamlike state of conflicting emotions. This paper uses Edmund Burke’s idea of pain and terror to explain the effects of the sublime in Yeats’s plays.
참고문헌 (10)
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