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A Comparative Reading of Yeats’s Two Politically Motivated Plays Cathleen Ni Houlihan (1902) and The Dreaming of the Bones (1919)

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Yeats wrote two political plays that make direct references to Irish insurrections—the Rebellion of 1798 and the Easter Rising of 1916 respectively—which differ from his other plays with some political implications, usually found in symbols and metaphors. The comparison between Cathleen Ni Houlihan (1902) and The Dreaming of the Bones (1919), both being directly political, demonstrates how politics plays a role in the making of each play: The first play is motivated by a strong sense of a nation in trouble, while the second play makes slight use of politics to further develop Yeats’s own sense of poetics.

Abstract

Yeats wrote two political plays that make direct references to Irish insurrections—the Rebellion of 1798 and the Easter Rising of 1916 respectively—which differ from his other plays with some political implications, usually found in symbols and metaphors. The comparison between Cathleen Ni Houlihan (1902) and The Dreaming of the Bones (1919), both being directly political, demonstrates how politics plays a role in the making of each play: The first play is motivated by a strong sense of a nation in trouble, while the second play makes slight use of politics to further develop Yeats’s own sense of poetics.

참고문헌 (12)

  1. Allison, Jonathan, "Yeats and Politics, In The Cambridge Companion to W. B. Yeats", pp.185~205 (2006), Cambridge UP
  2. Bernard, O’Donoghue, "Yeats and the Drama, In The Cambridge Companion to W. B. Yeats", pp.101~114 (2006), Cambridge UP
  3. Chadwick, Joseph, "Family Romance as National Allegory in Yeats’s Cathleen ni Houlihan and The Dreaming of the Bones", Twentieth Century Literature, 32(2), pp.155~168 (1986)
  4. 조정명, "전환기 예이츠 시에 재현된 정치 사회 의식의 양가성: 「1913년 9월」과 「1916년 부활절」을 중심으로", 한국 예이츠 저널, 39(3), pp.129~162 (2012), 한국예이츠학회
  5. Good, Maeve, "W. B. Yeats and the Creation of a Tragic Universe" (1987), Barns and Noble
  6. Jeffares, A. Norman, "A Commentary on The Collected Plays of W. B. Yeats" (1975), Stanford UP
  7. 고준석, "부활절 민중봉기시와 5·18민중항쟁시에 제시된 ‘존재의 통합’", 한국 예이츠 저널, 39(3), pp.1~31 (2012), 한국예이츠학회
  8. Leerssen, Joep, "The Theatre of William Butler Yeats, In Twentieth-Century Irish Drama", pp.47~61 (2004), Cambridge UP
  9. Moses, Michael Valdez, "The Rebirth of Tragedy: Yeats, Nietzsche, the Irish National Theatre, and the Anti-Modern Cult of Cuchulain", Modernism, 2004, pp.11(3), 561~579
  10. Yeats, W. B., "The Letters of W. B. Yeats" (1955), Macmillan
  11. Yeats, W. B., "The Variorum Edition of The Plays of W. B. Yeats" (1989), The Macmillan Publishing Ltd
  12. 윤일환, "Folklore and Nationalism in Yeats and Sowol: Nation as an “Imagined” and “Melancholy” Community", 한국 예이츠 저널, 39(3), pp.95~127 (2012), 한국예이츠학회

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