A Comparative Reading of Yeats’s Two Politically Motivated Plays Cathleen Ni Houlihan (1902) and The Dreaming of the Bones (1919)
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Yeats wrote two political plays that make direct references to Irish insurrections—the Rebellion of 1798 and the Easter Rising of 1916 respectively—which differ from his other plays with some political implications, usually found in symbols and metaphors. The comparison between Cathleen Ni Houlihan (1902) and The Dreaming of the Bones (1919), both being directly political, demonstrates how politics plays a role in the making of each play: The first play is motivated by a strong sense of a nation in trouble, while the second play makes slight use of politics to further develop Yeats’s own sense of poetics.
Abstract
Yeats wrote two political plays that make direct references to Irish insurrections—the Rebellion of 1798 and the Easter Rising of 1916 respectively—which differ from his other plays with some political implications, usually found in symbols and metaphors. The comparison between Cathleen Ni Houlihan (1902) and The Dreaming of the Bones (1919), both being directly political, demonstrates how politics plays a role in the making of each play: The first play is motivated by a strong sense of a nation in trouble, while the second play makes slight use of politics to further develop Yeats’s own sense of poetics.
참고문헌 (12)
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