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아동소설 속의 죽음과 성장의 고통: 『영원한 턱가족』과『테라비시아 다리』의 경우

The Recognition of Death and Pain of Growth in Tuck Everlasting & Bridge to Terabithia

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Both Tuck Everlasting and Bridge to Terabithia are distinguished by their masterful treatment of the issue of death. Babbitt’s novel is intertwined with such mixed genres as folklore, fantasy, and realism, which, when taken together, contribute to an unique atmosphere. Together with the extension of self, this somewhat philosophical novel successfully delves into the meaning of immortality, as is shown by the families of Tuck and Winnie. In addition, the novel emphasizes a blurred demarcation between absolute good and bad, and thus reveals the complexity of human life. Paterson’s work is concerned with realism unlike that of Babbitt. The author focuses on the harsh reality and the impact of his friend’s death on the young protagonist, Jesse, rather than the meaning of death and life that Babbit explores. The no-nonsense tough world and the weight of suffering that the young boy felt to the bone are presented vividly and remarkably. Furthermore, this work represents the boy’s delicate feelings and internal transformation reliably, which greatly enhances the novel’s artistic merit. Both novel tend to acknowledge the impossibility of childhood's innocence and deny an existence of an ideal, safe place for children. However, they concur in comforting the reader despite their treatment of human’s ultimate suffering-death, by providing an optimistic vision in their conclusion.

Abstract

Both Tuck Everlasting and Bridge to Terabithia are distinguished by their masterful treatment of the issue of death. Babbitt’s novel is intertwined with such mixed genres as folklore, fantasy, and realism, which, when taken together, contribute to an unique atmosphere. Together with the extension of self, this somewhat philosophical novel successfully delves into the meaning of immortality, as is shown by the families of Tuck and Winnie. In addition, the novel emphasizes a blurred demarcation between absolute good and bad, and thus reveals the complexity of human life. Paterson’s work is concerned with realism unlike that of Babbitt. The author focuses on the harsh reality and the impact of his friend’s death on the young protagonist, Jesse, rather than the meaning of death and life that Babbit explores. The no-nonsense tough world and the weight of suffering that the young boy felt to the bone are presented vividly and remarkably. Furthermore, this work represents the boy’s delicate feelings and internal transformation reliably, which greatly enhances the novel’s artistic merit. Both novel tend to acknowledge the impossibility of childhood's innocence and deny an existence of an ideal, safe place for children. However, they concur in comforting the reader despite their treatment of human’s ultimate suffering-death, by providing an optimistic vision in their conclusion.

참고문헌 (9)

  1. Aippersbach, Kim, "Tuck Everlasting and the Tree at the Center of the World", Children’s Literature in Education, 21(2), pp.83~97 (1990)
  2. Babbit, Nattalie, "Tuck Everlasting" (1975), Farrar, Straus & Giroux
  3. Breen, Karen, "One Hundred Books That Shaped the Century", School Library Journal, 46(1), pp.50~58 (2000)
  4. Chaston, Joel D., "The Other Deaths in Bridge to Terabithia", Children’s Literature Association, 16(4), pp.238~241 (1992)
  5. Moss, Anita, "Natalie Babbitt in : American Writers for Children Since 1960: Fiction" (1986), Gale
  6. Paterson, Katherine, "Bridge to Terabithia" (1977), Crowell
  7. Poteet, Michael, "Tuck Everlasting Study Guide" (2002), Progeny
  8. Rudman, Masha Kabakow, "Children’s Literature: An Issues Approach" (1984), Longman
  9. Russell, David L., "Literature for Children: A Short Introduction" (2009), Pearson

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