A Comparative Study of Yeats’s Two Plays: The King of the Great Clock Tower and A Full Moon in March
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Although Yeats considered A Full Moon in March a better play than The King of the Great Clock Tower, this might not be the case in terms of characterization and theatricality. Having the same Salome motif, the two plays are completely different from each other in many ways. This study compares the two versions to demonstrate that despite Yeats’s preference, The King of the Great Clock Tower is a better play for theatre performance.
Abstract
Although Yeats considered A Full Moon in March a better play than The King of the Great Clock Tower, this might not be the case in terms of characterization and theatricality. Having the same Salome motif, the two plays are completely different from each other in many ways. This study compares the two versions to demonstrate that despite Yeats’s preference, The King of the Great Clock Tower is a better play for theatre performance.
참고문헌 (8)
- Cave, Richard Allen, "Re-Staging the 1934 Abbey Theatre Production of Yeats’s The King of the Great Clock Tower: And Evaluation and Critique", Studi irlandesi. A Journal of Irish Studies, 2, pp.109~123 (2012)
- Donohue, Joseph, "Salome and the Wildean Art of Symbolist Theatre", Modern Drama, 37(1), pp.84~103 (1994)
- Foster, R.F. W.B., "Yeats: A Life II: The Arch-Poet 1915-1939" (2003), Oxford UP
- Jacqueline, Genet, "Dance in Yeats’s Plays, a Quest for Unity", Etudes Anglaises, 68(4), pp.397~410 (2015)
- Myers, Kimberly R., "W. B. Yeats’s Steinach Operation, Hinduism, and the Severed-Head Plays 1934-1935", Literature and Medicine, 28(1), pp.102~137 (2009)
- Wilde, Oscar, "Salome" (2015), Broadview Editions
- Yeats, W. B., "The King of the Great Clock Tower" (1997), Penguin Books
- Yeats, W. B., "The Variorum Edition of the Plays of W. B. Yeats" (1966), Macmillan