Hegelian Power Relations in Passing and Autobiography of Ex-Coloured Man
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This paper aims to read Nella Larsen’s Passing and James Weldon Johnson’s Autobiography of Ex-Coloured Man in view of power relations propounded in Hegel’s master-slave relationship. The main issue this paper recognises regarding Hegel’s idea is that people are seeking recognition from others and this involves power relations. Hegel illustrates the power relations with his well-known master-slave model where it can lead to a cultural element. A socio-cultural attitude regarding black people presumably triggered the novels in question. This is where this paper discovers a sense of power-relations lurking in the novels. They show the characters’ reshaping self-identity and faking their identity which American culture has given birth to over its history in relation to the racial differences. It defines a black person as anyone with any “discernible” amount of “colored” or “African” blood. The novels dramatise people who look undiscernibly black and their struggle to get a recognition on their fabricated identity and the power relations revolve on the strife for the recognition. Hegelian idea of slave-bondsman relation is interpretably implemented in this paper to offer the power relations in the synthetic movement which is a more general, trans-racial sense of American identity that might be constructed in moving toward social and cultural equality.
Abstract
This paper aims to read Nella Larsen’s Passing and James Weldon Johnson’s Autobiography of Ex-Coloured Man in view of power relations propounded in Hegel’s master-slave relationship. The main issue this paper recognises regarding Hegel’s idea is that people are seeking recognition from others and this involves power relations. Hegel illustrates the power relations with his well-known master-slave model where it can lead to a cultural element. A socio-cultural attitude regarding black people presumably triggered the novels in question. This is where this paper discovers a sense of power-relations lurking in the novels. They show the characters’ reshaping self-identity and faking their identity which American culture has given birth to over its history in relation to the racial differences. It defines a black person as anyone with any “discernible” amount of “colored” or “African” blood. The novels dramatise people who look undiscernibly black and their struggle to get a recognition on their fabricated identity and the power relations revolve on the strife for the recognition. Hegelian idea of slave-bondsman relation is interpretably implemented in this paper to offer the power relations in the synthetic movement which is a more general, trans-racial sense of American identity that might be constructed in moving toward social and cultural equality.
참고문헌 (13)
- Cutter, Martha J, "Sliding Significations: Passing as a Narrative and Textual Strategy in Nella Larsen’s Fiction. In: Passing and the Fictions of Identity", pp.75~100 (1996), Duke UP
- Fanon, Frantz, "Black Skin White Mask" (1967), Grove Press
- Ginsberg, Elaine K, "Introduction: The Politics of Passing. In: Passing and the Fictions of Identity", pp.1~18 (1996), Duke UP
- Hegel, G. W. F, "Lectures on the Philosophy of World History" (1975), Cambridge UP
- Hegel, G. W. F, "The Phenomenology of Mind" (1966), George Allen and Unwin
- Hyppolite, J, "Genèse et structure de la Phènoménologie de l’esprit de Hegel" (1946), Aubier
- Johnson, James Weldon, "The Autobiography of an Ex-Coloured Man" (1966), Alfred. A. Knopf
- Johnson James Weldon, "The Autobiography of An Ex-Colored Man" (1995), Dover Publications Inc
- Kawash, Samira, "The Autobiography of Ex-Coloured Man: (Passsing for) Black Passing for White. In: Passing and the Fictions of Identity", pp.59~74 (1996), Duke UP
- Kojève, A, "Inroduction a la lecture de Hegel" (1947), Gallimar
- Larson Charles R, "An Intimation of Things Distant: The Collected Fiction of Nella Larsen" (1989), Anchor Books Doubleday
- Piper, Adrian, "Passing for White, Passing for Black. In: Passing and the Fictions of Identity", pp.234~270 (1996), Duke UP
- Warren, Kenneth W, "Troubled Black Humanity in The Souls of Black Folk and The Autobiography of an Ex-Coloured man. In: The Cambridge Companion to American Realism and Naturalism", pp.263~277 (1995), Cambridge UP
