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홍콩작가 류이창(劉以鬯)의 소설 ≪술꾼(酒徒)≫의 가치와 의의 - ‘의식의 흐름’ 문제를 중심으로

Value and Significance of Hong Kong writer Liu Yi-chang’s novel The Drinker ― with a focus on the topic of ‘stream of consciousness’

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Liu Yi-chang attempts to depict ‘inner reality’ in his novel The Drinker, using character’s stream of consciousness as its subject matter. A variety of commonly used techniques and devices of stream-of-consciousness fiction such as interior monologue, psychological free association, montage, image and pattern has been skillfully employed in the book, with some additional creative measures. The Drinker’s accomplishment as a stream-of-consciousness fiction does not stop here; it ultimately presents such literary tools in a masterful conjunction with overall message of the work. In other words, by describing character’s inner state full of conflicts and contradictions as a result of irrational social reality, the author successfully criticizes the underlying presence of such society. It could be said that The Drinker is lauded not only because it is the pioneering work of stream-of-consciousness fiction in Chinese literature, but also because the novel reaches a state of artistic achievement through its deep insight with corresponding form and technique.

Abstract

Liu Yi-chang attempts to depict ‘inner reality’ in his novel The Drinker, using character’s stream of consciousness as its subject matter. A variety of commonly used techniques and devices of stream-of-consciousness fiction such as interior monologue, psychological free association, montage, image and pattern has been skillfully employed in the book, with some additional creative measures. The Drinker’s accomplishment as a stream-of-consciousness fiction does not stop here; it ultimately presents such literary tools in a masterful conjunction with overall message of the work. In other words, by describing character’s inner state full of conflicts and contradictions as a result of irrational social reality, the author successfully criticizes the underlying presence of such society. It could be said that The Drinker is lauded not only because it is the pioneering work of stream-of-consciousness fiction in Chinese literature, but also because the novel reaches a state of artistic achievement through its deep insight with corresponding form and technique.

참고문헌 (26)

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  18. ≪八方≫編輯部, "知不可而爲― 劉以鬯先生談嚴肅文學", 八方文藝叢刊, 6 (1987), 香港文學藝術協會
  19. 柳鳴九, "意識流" (1989), 中國社會科學出版社
  20. 何慧, "一本關於文學的小說― 談劉以鬯的小說≪酒徒≫", 文匯報ㆍ文藝 (1991)
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  24. 江少川, "論劉以鬯及其長篇小說≪酒徒≫", 華文文學, (52) (2002), 汕頭大學
  25. 陳志明, "從≪到燈塔去≫與≪酒徒≫的比較看中西意識流的差異", 綏化學院學報 (2012), 綏化學院
  26. 오길영, "제임스 조이스의 문학론 연구", 안과밖:영미문학연구, 13, pp.98~117 (2002), 영미문학연구회

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