淸代 朱彝尊 <鴛鴦湖棹歌>에 대한 화답시 창작 고찰— 譚吉璁과 陸以諴의 ‘다시쓰기’를 중심으로
Analysis on Responding Poems to Zhu Yizun’s Yuanyanghu Zhaoge during Qing Dynasty: Focused on Tan Jicong and Lu Yixian’s Rewriting
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This study set out to analyze the phenomenon of responding to Yuanyanghu Zhaoge by Zhu Yizun, which was popular among the intellectuals of Jiaxing during Qing Dynasty, in the aspects of sharing the memories of a certain space called “Jiaxing” and “rewriting.” The literary figures that were his juniors in his hometown were active to write a poem responding to his Yuanyanghu Zhaoge after his death as well as during his life. Believing that there would be differences in main emotions and expressive methods among different poems about the same space of “Jiaxing” in response to the same poem according to the changes of times, this study compared and analyzed Tan Jicong’s response poem before his death and Lu Yixian’s response poem after his death. Response poems to his Yuanyanghu Zhaoge before his death were written in a way of recalling the hometown of Jiaxing and reproducing its memories away from the town. The two poets were in different spaces during the same period and communicated with each other beyond the limitations of space by reproducing their memories of the same space called Jiaxing. Their response poems were written in a way of accepting the original poem and then “rewriting” it. In his response poem, Tan Jicong “rewrote” the original poem in a direction of reducing the emotions as a migrant during the transition time between dynasties and emphasizing the grief of a stranger wandering around places away from his home. Lu Yixian’s response poem to Yuanyanghu Zhaoge written after the death of Zhu Yizun when the politics of Qing Dynasty was stabilized contains no sorrow of a stranger or migrant in the original poem. Instead, Lu Yixian’s response poem developed the ability of poetry writing and showed respect for Zhu Yizun by imitating the original poem and further inherited the cultural tradition as a “refined literary activity.” It also “rewrote” Yuanyanghu Zhaoge as a song to enlighten the people and praise the peaceful times through poetry. These works created in the form of “response” share the memories of a cultural space called “Jiaxing” among generations beyond the limitations of time. In these works, Jiaxing is a “cultural space” with rich economy, pure-hearted people, and long history. Intellectuals of Jiaxing wrote a response poem to Yuanyanghu Zhaoge as an act of passing down the memories of Jiaxing as a cultural space and preserving its value by imitating the refined creative act of their senior literary figure beyond the simple recording of information about Jiaxing.
Abstract
This study set out to analyze the phenomenon of responding to Yuanyanghu Zhaoge by Zhu Yizun, which was popular among the intellectuals of Jiaxing during Qing Dynasty, in the aspects of sharing the memories of a certain space called “Jiaxing” and “rewriting.” The literary figures that were his juniors in his hometown were active to write a poem responding to his Yuanyanghu Zhaoge after his death as well as during his life. Believing that there would be differences in main emotions and expressive methods among different poems about the same space of “Jiaxing” in response to the same poem according to the changes of times, this study compared and analyzed Tan Jicong’s response poem before his death and Lu Yixian’s response poem after his death. Response poems to his Yuanyanghu Zhaoge before his death were written in a way of recalling the hometown of Jiaxing and reproducing its memories away from the town. The two poets were in different spaces during the same period and communicated with each other beyond the limitations of space by reproducing their memories of the same space called Jiaxing. Their response poems were written in a way of accepting the original poem and then “rewriting” it. In his response poem, Tan Jicong “rewrote” the original poem in a direction of reducing the emotions as a migrant during the transition time between dynasties and emphasizing the grief of a stranger wandering around places away from his home. Lu Yixian’s response poem to Yuanyanghu Zhaoge written after the death of Zhu Yizun when the politics of Qing Dynasty was stabilized contains no sorrow of a stranger or migrant in the original poem. Instead, Lu Yixian’s response poem developed the ability of poetry writing and showed respect for Zhu Yizun by imitating the original poem and further inherited the cultural tradition as a “refined literary activity.” It also “rewrote” Yuanyanghu Zhaoge as a song to enlighten the people and praise the peaceful times through poetry. These works created in the form of “response” share the memories of a cultural space called “Jiaxing” among generations beyond the limitations of time. In these works, Jiaxing is a “cultural space” with rich economy, pure-hearted people, and long history. Intellectuals of Jiaxing wrote a response poem to Yuanyanghu Zhaoge as an act of passing down the memories of Jiaxing as a cultural space and preserving its value by imitating the refined creative act of their senior literary figure beyond the simple recording of information about Jiaxing.
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