중국 살타태자 본생고사 벽화의 예술형식과 도상서사 연구
Art Form and Image Narrative of Prince Mahasattva's Jātaka Sacrificing Himself to Feed a Hungry Tiger in Chinese Buddhism
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This study is to exhibit the image narrative of literature and painting art. This introductory article aims to explain the composite mutual conversion of the narrative and visual forms of the Jataka tale of ‘Princess Sattva ; Die for Feeding Tiger’. This paper mainly chose the Jataka tale of ‘Princess Sattva’ to research. In all Chinese Buddhist Jataka tale paintings, Dunhuang and Qiuci frescoes were undoubtedly the most classical and representative art works of profound significance. This article starts from iconographic visual image, different structures of picture image show different modes of narrate. The article try to conmbined the Buddhist Jataka narrative with the picture image and explain that among artistic narrative expression, imagery contemplation and visual presentation have significance. in particular, this article explains that the heterochronous expression of different scenarios of scenes occurring in different time periods in pictures of ancient Buddhist Jataka fresco painting art.
Abstract
This study is to exhibit the image narrative of literature and painting art. This introductory article aims to explain the composite mutual conversion of the narrative and visual forms of the Jataka tale of ‘Princess Sattva ; Die for Feeding Tiger’. This paper mainly chose the Jataka tale of ‘Princess Sattva’ to research. In all Chinese Buddhist Jataka tale paintings, Dunhuang and Qiuci frescoes were undoubtedly the most classical and representative art works of profound significance. This article starts from iconographic visual image, different structures of picture image show different modes of narrate. The article try to conmbined the Buddhist Jataka narrative with the picture image and explain that among artistic narrative expression, imagery contemplation and visual presentation have significance. in particular, this article explains that the heterochronous expression of different scenarios of scenes occurring in different time periods in pictures of ancient Buddhist Jataka fresco painting art.
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