레이핑양(雷平陽) 시에 나타난 윈난 상상과 이미지의 공간 연구

Abstract

This thesis takes the poems of Chinese Yunnan(雲南) poet Lei Pingyang(雷平陽) as the research object, and analyzes the Yunnan imagination and space image in his poems. Lei Pingyang can highly appraise local poet and marginal poet who create with the background of Yunnan, China. The new generation of poet Yu Jian(于堅) is also experimenting with folk writing of contemporary Chinese poetry. Following Yu Jian, the poet Lei Pingyang also created a variety of poetic images based on the Yunnan region. We learned about the Yunnan imagination and space image in his poems from three aspects. For example, the space image of nature and hometown, the disintegration and change of family and community, the spatial image of self-identity and cultural identity, etc. Through Lei Pingyang’s poems, I can see the mountains and rivers and various natural scenery in Yunnan, depicting the mutual scenery between human and nature. Not only that, while describing the miserable life of mother and father, it also connects the life of the ancestors who lived in the old village like three souls with the lives of the current family, which well expresses the tragedy of the hometown. In addition, while linking his sense of identity with Yunnan, he also promoted cultural identity through a scene of the dog-killing process in his hometown. All in all, through Lei Pingyang’s poetry world, I can understand the poet’s poetic image and inner scenery of Yunnan’s nature and hometown. In addition, through introspection on the world, families, villages, communities, and oneself where people and nature communicate with each other, I can understand the tragedy visualization of the poet’s pursuit of ideals and tired reality.