王夫之的經文關係論

Abstract

Jiangzhai shihua(薑齋詩話), written by Wang Fuzhi(王夫之), can be regarded as a book on discussing the relationship between classics and literature. On the part of the book of songs, it normally realized some artistic techniques from the later poetry creations, such as Quyingfa(取影法)、Zhubinfa(主賓法)、Yingchenfa(映襯法). These techniques, all summarized from the creation of future literature, were applied to the book of songs text analysis, so as to provide specific methods and methods for literary interpretation. On the otherwise, The book of songs, as the classic of Confucian, was always regarded as a model of later literary creation. Wang Fuzhi would like use the terminology of Confucian classics to request and evaluate the literature. At the meaning time, he also talked about the bad influence of the Book of Songs on the later literature. Obviously, it’s not fully affirmed for it’s the extreme, there are still criteria for judging right and wrong. The interest of poetics, by Wang Fuzhi, can be roughly summarized as Zhuke Hutong(主客互通) and Jingwen shuangjie(經文雙解). The Zhuke Hutong(主客互通) means readers use their own emotions to experience and feel the emotions in The Book of Songs. Xing-Guan-Qun-Yuan(興觀群怨), Wang Fuzhi called it Siqing(四情), which becomes the link that maintains the reader and the Book of Songs. Siqing(四情) connects the ancient feelings with the present feelings, thus providing the possibility for the interpretation of the Book of Songs and literary reading. Interpreting the Classics by literary and restricting the literature by Classics has received double effect of interpretation.