王夫之 ‘情景交融’論과 王國維 ‘境界’論의 相關性

Abstract

Wang Guowei’s ‘theory of realm’(Jingjie) has absorbed both the aesthetics of traditional Chinese classical literary theory and Wang Fuzhi’s “emotion-and-scene” theory. Also, it is influenced by the philosophy, aesthetics, and literary ideas such as Kant, Schopenhauer and Nietzsche. Therefore, Wang Guowei’s ‘theory of realm’(Jingjie) is the combination of Chinese and Western literary aesthetics. Wang Guowei’s ‘theory of realm’(Jingjie) is the embodiment of harmony and reconciliation. The embodiment of harmony and reconciliation is the absolute character of Wang Fuzhi’s literature, philosophy and aesthetics. Wang Guowei inherited both the aesthetic perspective of harmony and reconciliation of Wang Fuzhi, and went on to develop his ‘theory of realm’ by combining ideas and facts, the subjective and the objective, and state of being and state of non-being, dialectically and organically. Based on Wang Guo wei’s QuLu(≪曲錄≫)(≪龍舟會≫(船山遺書本). 國朝王夫之撰. 夫之字而農, 號船山, 衡陽人.), it can be concluded that Wang Guowei’s ‘theory of realm’(Jingjie) is influenced by Wang Fuzhi. This implies that Wang Guowei had read the Longzhouhui and is influenced by Wang Fuzhi’s other works, such as JiangZhaiShiHua. Modern Chinese scholars such as Tan sitong, Liang qichao, Zhang Bing lin and Zhang Shi Zhao have absorbed the nourishment of Wang Fuzhi’s spirit, philosophy, history and their writings make references to him. However, although Wang Guowei’s ‘theory of realm’(Jingjie) is the inheritance of Wang Fuzhi’s “emotion-and-scene” theory, his anthology only mentions Wang Fuzhi briefly. This problem needs further study.