曹文軒 소설의 문혁 전유와 재현방식

Abstract

The purpose this paper is looking at the way Cultural Revolution appropriation method and limitation by featuring Cultural Revolution as the background of Cao Wenxuan's Red tile Black tile, Bronze Sunflower, Simy. The lyrical words, the attitude of children overcoming hardships, and consideration for others have grown up in the midst of the great hardship of work, and the fact that the children showed compassion and compassion for each other. These descriptions are an example of children's novels and in the grammar of growth novels, internalization novel structures and increase reader acceptance. On the other hand, the ‘Cultural Revolution as an event’, instead of violence and murder, hurt and suffering, disorder and embarrassment, was reduced to the ‘Cultural Revolution as a literature’ by looking at it with the memories of a romantic freak. By controlling too much of the memory of the Cultural Revolution, we were able to raise awareness, while the view that matters to the Cultural Revolution became more acute, his novel emphasizes his own original ideas that his children write suitable material while locking up the Cultural Revolution in literature. The appropriation has a dictionary definition of taking up something for its own use, but on an artistic level, it is habitual and routine to change language and writing from the perspective of abandonment to the concept of rules. When it comes to the fact that only the author's appropriation of the Cultural Revolution is tightly linked to his literature, his work does not break away from the established author's reputation and creative keynote, excluding history and politics.