八友軒 趙普陽의 문예지향적 시세계

Abstract

The purpose of this study is to introduce the life and poetry of Palwuheon Cho Bo-yang(八友軒 趙普陽; 1709-1788), which was previously insufficient, and to explore one aspect of the literary activities of Yeongnam Namin(political faction) who were active in the Yecheon region in the 18th century. This study introduces Cho Bo-yang's life and relationship, introduced the aspects of poetry contained in the 『Palwuheon Anthology』, and looks into his divers literary tastes and his inner consciousness inherent therein. The poems included in the 『Palwuheon Anthology』 show that Cho Bo-yeong's various attempts in literary-art and had considerable interest in literary creation. He attempted various poetry styles, and also wrote a number of poems that demonstrate his literary-art capabilities, the creation of classical Chinese poems and series poems. Such prolific works(多作) and attempts to create bodies show his literary-oriented poetry world. As Cho Bo-yang spent a long time living as an outsider writer, he would recite the pleasures of a secluded life(閑居) in nature, but he revealed his consciousness of disadvantage that he was not recognized. To honestly express his consciousness of disadvantage, he used a poetry style(詩體) that was different from Jeolgusi(絶句詩) or Yulsi(律詩), and in his works, which reveal his typical seclusion consciousness, he chose Geumchesi(近體詩) to effectively express his thoughts and emotions. Also, Cho Bo-yang expressed his interest in his country's history and culture through 5 poems in Akbuche(樂府體). Through this, this study can confirm part of his independent historical consciousness. In addition, in the sense that he wrote classical Chinese poetry based on his country's history or written in the form of Akbuche, it is confirmed that he is a writer who has made various literary-art attempts. The poetry world of Cho Bo-yang, as a member of Yeongnam Namin in the 18th century, rarely attempted to create his poems in diverse styles and had a literary-art-oriented character. In that another side of Yeongnam Namin's literary world in the 18th century can be seen through this, the meaning that his poetry world might have is significant.