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타자 양크—오닐의 『털보 원숭이』

Yank the Other: O’Neill’s The Hairy Ape

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In The Hairy Ape, Yank, a stoker on a cargo ship, believes, with a strong sense of pride and dignity, the firemen’s forecastle where he works is the center of the world and that it is himself who moves the world. But one day Mildred, who represents the bourgeois class, appears to Yank in the shape of a “white ghost” and gives him a great shock by calling him a “filthy beast!”. The sense of humiliation and anger Mildred triggers in him is the driving force which motivates Yank’s subsequent actions. He leaves the stokehole where he has belonged and goes out into the New York streets. But he soon realizes that he is an ‘other’ in this developed and industrialized world. He tries hard to communicate with the people of the bourgeois class whom he encounters in both positive and negative situations only in vain. He is expelled even from the labor organization that he has thought he belongs to. In such a process he discovers his true self and, in the end, to identify his own existence as an ‘other’ he offers his hand to a gorilla in the zoo and puts an end to his struggle to save himself in death. This is indeed a good example of the fate of the other not accepted to the materialistic capitalist society. This is a play about the struggle for a human dignity of a man as the other in the face of the ruthless power of the stratified society and the tyrannical of industrialization.

Abstract

In The Hairy Ape, Yank, a stoker on a cargo ship, believes, with a strong sense of pride and dignity, the firemen’s forecastle where he works is the center of the world and that it is himself who moves the world. But one day Mildred, who represents the bourgeois class, appears to Yank in the shape of a “white ghost” and gives him a great shock by calling him a “filthy beast!”. The sense of humiliation and anger Mildred triggers in him is the driving force which motivates Yank’s subsequent actions. He leaves the stokehole where he has belonged and goes out into the New York streets. But he soon realizes that he is an ‘other’ in this developed and industrialized world. He tries hard to communicate with the people of the bourgeois class whom he encounters in both positive and negative situations only in vain. He is expelled even from the labor organization that he has thought he belongs to. In such a process he discovers his true self and, in the end, to identify his own existence as an ‘other’ he offers his hand to a gorilla in the zoo and puts an end to his struggle to save himself in death. This is indeed a good example of the fate of the other not accepted to the materialistic capitalist society. This is a play about the struggle for a human dignity of a man as the other in the face of the ruthless power of the stratified society and the tyrannical of industrialization.

참고문헌 (25)

  1. 권택영, "타자란무엇인가—<그리다바>로서의 타자", 타자비평, 1, pp.19~37 (2001)
  2. 브르델, 페르낭, "물질문명과 자본주의 I-1" (2004), 까치글방
  3. 브르델, 페르낭, "물질문명과 자본주의 II-2" (2004), 까치글방
  4. Bogard, Travis, "Selected Letters of Eugene O’Neill" (1988), Yale UP
  5. Bogard, Travis, "Contour in Time: The Plays of Eugene O’Neill" (1988), Oxford UP
  6. Carpenter, Frederic, "Eugene O’Neill" (1964), Twayne
  7. Eisen, Kurt, "The Inner Strength of Opposites: O’Neill’s Novelistic Drama and the Melodramatic Imagination" (1994), U of Georgia P
  8. Floyd,Virginia, "Eugene O’Neill at Work: Newly Released Ideas for Plays" (1981), Ungar UP
  9. Floyd,Virginia, "The Plays of Eugene O'Neill:A New Assessment" (1987), Ungar UP
  10. Gabbard, Lucina P, "At the Zoo From O’Neill to Albee", Modern Drama, 19(4), pp.365~ (1996)
  11. Goyal, Bhagwat S, "The Strategy of Survival: Human Significance of O’Neill’s Plays" (1975), Vimal Prakashan
  12. Hartnoll, Phyllis, "The Oxford Companion to the Theatre" (1997), Oxford UP
  13. Miller,J.Hillis, "Others" (2001), Princeton UP
  14. O’Neill, Eugene, "Complete Plays. I vols" (1988), Library of America
  15. O’Neill, Eugene, "Complete Plays. II vols" (1988), Library of America
  16. Quinn, Arthur Hobson, "A History of the American Drama From the Civil War to the Present Day. 2vols" (1936), Appleton-Century-Crofts
  17. Ralph Ellison, "Invisible Man" (1982), Random
  18. Raleigh John Henry, "The Plays of Eugene O’Neill" (1967), Southern Illinois UP
  19. Robinson, James A, "O’Neill’s Grotesque Dancers", Modern Drama, 19(4) (1976)
  20. Rogers,David, "The Plays of Eugene O’Neill" (1964), Monarch
  21. Sheaffer,Louis, "O’Neill:Son and Artist" (1973), Little
  22. Sophocles, "Oedipus the King. in The Harcourt Brace Anthology of Drama", pp.74~91 (2000), Harcourt
  23. Styan, J. L, "Modern Drama in Theory and Practice: Expressionism and Epic Theatre" (1981), Cambridge UP
  24. Tiusanen, Timo, "O’Neill’s Scenic Image" (1968), Princeton UP
  25. Tornqvist,Egil, "A Drama of Souls:Studies in O’Neill’s Super-Naturalistic Techniques" (1969), Yale UP

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