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윌리엄 블레이크 시에 나타난 변증법적인 구조와 주제

The dialectical structure and theme in William Blake’s Songs of Innocence and Experience.

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This study aims at investigating William Blake’s ideas of contraries and seeks to understand the method of uniting contraries and the significance of such marriage in his poetic world. The songs in Songs of Innocence are not purely innocent songs, for they have the world of experience oppressed under the dominant ideology as their background. But it reveals a vision of Utopia attainable beyond such social contraries. Blake’s social criticism in Songs of Experience, is characterized by its severe and bitter satire. We can read more directly and objectively the oppressed and depraved social realities through Songs of Experience. Blake’s poetry aims at getting harmony through conflict of contraries. As he said “Without Contraries is no Progression,” contraries are indispensible for progressing toward harmony in his poetic world. His poetry has a dialectical structure and focuses on a synthesis in a vision of Utopia.

Abstract

This study aims at investigating William Blake’s ideas of contraries and seeks to understand the method of uniting contraries and the significance of such marriage in his poetic world. The songs in Songs of Innocence are not purely innocent songs, for they have the world of experience oppressed under the dominant ideology as their background. But it reveals a vision of Utopia attainable beyond such social contraries. Blake’s social criticism in Songs of Experience, is characterized by its severe and bitter satire. We can read more directly and objectively the oppressed and depraved social realities through Songs of Experience. Blake’s poetry aims at getting harmony through conflict of contraries. As he said “Without Contraries is no Progression,” contraries are indispensible for progressing toward harmony in his poetic world. His poetry has a dialectical structure and focuses on a synthesis in a vision of Utopia.

참고문헌 (14)

  1. Bateson, F.W., "Selected Poems of William Blake" (1957), Heinesmann
  2. Bloom, Harold, "Romanticism and Consciousness: Essays in Criticism" (1970), W. W. Norton & Company
  3. Connolly, F.X., "Poetry: Its Power and Wisdom" (1990), Charles Scribner's Sons
  4. Damon, Foster, "William Blake: His Philosophy and Symbols" (1959), Peter Smith
  5. Digby, G.W., "Symbol and Image in William Blake" (1957), Oxford Univ. Press
  6. Frye, Northrop, "Fearful Symmetry : A Study of William Blake" (1969), Princeton UP
  7. Gardner, Stanley, "Blake’s Innocence and Experience Retraced" (1978), The Athlone Press
  8. Kazin, Alfred, "The Portable Blake" (1979), The Viking Press
  9. Leader, Zachary, "Reading Blake’s Songs" (1981), Routledge & Kegan Paul
  10. Phillips. M., "Interpreting Blake" (2001), Cambridge UP
  11. Raine, Kathleen, "Blake and the New Age" (1979), George Allen & Unwin Ltd
  12. Tyerelyan, George, "Whilliam Blake : Prophet of Universal Brotherhood" (1987), Bernard Nesfield
  13. Williams, Raymond, "The Country and The City" (1973), Chatto & Windus
  14. Yeats W.B., "William Blake Complete Poems" (2002), Routledge

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