동양화론(東洋畵論)에서 ‘사(似)’개념의 자의성(恣意性) 고찰 -형사(形似)·신사간(神似間)에 존재하는 ‘사(似)’의 개념을 중심으로-

Abstract

The concepts of shape and mind(·shape copied·mentally copied) are often used the phenomena in eastern painting theory. They are notions of result in terms of drawing through body and mind. If shape drawings(形寫) is one of the methods and action, the shape copied(形似) will be a recognition and the result of appreciation. The concepts of shape copied·mentally copied are not only a painting creation principle, but also a criterion of aesthetic appreciation and an evaluation. Especially, the focused on shape copied(重形似) and the focused on mentally copied(重神似) is concepts of relativity which is decided by importance of shape copied or mentally copied. In the end, this is the concept which can not be unaccording to viewer' appreciation and recognition. The view point of shape copied·mentally copied in the orient paintings can be different according to viewer who appreciates it. This is the reason because viewpoint and standard of viewers are different each other. This thesis regards it as this phenomenon as the arbitrary character(恣意性) of likely(‘似’) in eastern painting. Therefore, the arbitrary character(恣意性) among the concept of likely(‘似’) is the theologically aesthetic space of viewer's. The act of appreciation is on e of the act of creation too. Thus, ‘likely(似)’ which exists between concepts of·shape copied·mentally copied)(形似·神似) of theory of eastern painting enables the act of independent appreciation of viewer. This is the reason because the meaning of ‘likely(似)’ character includes the arbitrary character(恣意性)