국립무용단 정기공연의 작품변천 분석

Abstract

The purpose of this study is to serve fundamental materials for the development of future work directions of the national theater of korea by compiling total 92 performances presented by the national theater of korea from the first subscription performance to the ninety second one and historically analyzing them. Study method is the literature review which is reviews study of the inductive form. Study materials were collected mainly with the 60 years of history of the national theater of korea. Collected materials were classified into 4 groups from the first generation to the fourth one on the basis of the change in the artistic characteristics of the national theater of korea and they were analyzed around the reason why that relevant work was performed, the extracts from the articles, and the criticisms of art critics. The analysis results of subscription performances are as followed. The 1st generation(1962-1969) subscription performances were in the era of the establishment of the division of the ballet and the korean dance. And excavation of traditional cultural heritages and new establishment of korean dance opuscules were also performed. And attempts to create dance music and establishment of korean ballet can be considered as the most biggest achievements in this generation. But there was no long piece for the size of the grand theater. In the 2nd generation(1973-1986) subscription performances, the foundation for the korean dance drama out of the ballet dance dramas was prepared and the expressional area of korean dance began to be expanded by borrowing western dance techniques and musics. Hosting of the Asian Game 1986 became an opportunity to amplify the interests of the people throughout the world on the korean culture and dance. On the other hand, another problem in the subscription performances of the national theater of korea appeared as being replaced by repeated performances. The 3rd generation(1987-1999) subscription performances developed into the dance-based dance dramas from the story-based dance dramas. Also as works of historical recognition appear, folk dances which were merely in the level of opuscules were raised into the area of art dances. On the other hand, the globalization of korean dance began in earnest taking Seoul Olympics 1988 as an opportunity. And Korea evolve into the form of leading foreign cultures as the holder even inviting foreign dance companies in international exchanges. The 4th generation(2000~) subscription performances much evolved in the aspect of artistic values out of existing korean traditional dance dramas. Moreover, with the World Cup 2002, true globalization of korean dance began to be realized receiving production investments or being on-site directed abroad. On the other hand, as external choreographers in their 20s, 30s, and 40s participate in the subscription performances of the national theater of korea, great innovation and liberalization were made on the choreographers in the national theater of korea. Also the form of audience changed from the invitation performance into the paid performance letting the market economy to be applied to the theater from 2000s.