선비들의 예술세계에 관한 연구

Abstract

This paper aims to investigate the same source of literati and officialdom's spirit of art. Spirit element of chinese painting and calligraphy come from same source, scholar‘s painting and calligraphy are the calling back the spirit and soul, Chinese scholar‘s characters and unity of poetry, painting and calligraphy, and the personality accomplishment and the expression of human nature. And literati and officialdom especially emphasized the aesthetic quality of clean naivety, supported by the essence of import and harmony of sound. It comes from the nature. They theorized the aesthetic of naturalness by explaining the formula, 'the decorative beauty through non-decoration' in literary creation. Poetry and painting are the oldest branches of Chinese art. Since old times Chinese artists had the point view that poetry and painting paralleled each other, possessing an identical aesthetic quality. Although poetry differs from painting in the medium of expression, the artists had recognized poetry and painting had the common feathers in the function of human mind and principle. The assertion that poetry and painting are in same ways equivalent was expressed by Northern Song's literati and officialdom. In China, flowers and plants were subjects of symbolic interest on poets and painters. These things were also objects of metaphorical significance. Therefore, poetry implied much meaning beyond the written word. Painting was expressed by circumstances, ideals, charm, and atmosphere of life as a whole also. Chinese painting becomes more than a medium of pure description and interacts with poetry. In conclusion, the union of poetry and painting was developed into another fused, change aspect.