玉洞 李漵의 異端觀과 書藝認識

Abstract

Okdong Yi Seo emphasizes the aesthetics of calligraphy through his writings, and develops the heresy pavilion through the centralism of Wang Xin, who is revered as the saint of calligraphy. This book honors Lee Hwang and uses his philosophy as the basis for his philosophy. At the same time, he accepts the ancestry of the holy man of study abroad, as well as Taoism and Buddhism, as well as Yangming studies. He maintains that Taoism and Buddhism are basically the same pursuits, and he criticizes each other in the fact that Taoism and Buddhism can be misunderstood as similar to Confucius. have. On the basis of his heresy thoughts are yin and yang cults. In particular, he understands the desirable human image of Confucius by applying yin and yang theory. In addition, Lao-tzu made a mistake in recognizing 'qi' as 'li' and criticized Buddhism for 'recognizing the heart as a nature'. Starting from this perspective, he points out the problems of the famous calligraphers from Korea and China. This reason is based on a kind of Confucius fundamentalism. On the point of view, there is centralism and rationalism that heighten it. His reasoning for Wangxishi's centrism contains the idea that he ultimately asserts that all calligraphy is mainly for medium. He can be said to have developed a view of heresy based on this medium.