광주·전남마당극 형성과 주제의식 연구 -1977~2000년까지를 중심으로-
Formation of Madanggeuk in Gwangju and Jeonnam and the Consciousness of the Themes Presented -Centering on the Period from 1977 to 2000-
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The name Madanggeuk used in Gwangju and Jeonnam was derived from「Gwangdae」, a theater party, and developed into 「Minye」, a theater party in Mokpo and 「Sinmyong」, a theater party in Gwangju. Inheriting the tradition of「Minye」,「Getdol」, a theater company, grew. The formation process of the subjects used in Madanggeuk activity includes the organization of a company, management, professionalism in the production of plays, and the line of the Madanggeuk movement. Madanggeuk was a progressive theatrical movement for reform in reality during the 1980s focusing on sociability, but in the 1990s, the themes became diverse. The movement of space in Madanggeuk from live fields to theaters caused some discrimination in themes which were different from previous theaters in subject and content and brought about its decline. However, achievements in Madanggeuk activity from the 1980s to 2000 are presented as follows: a higher self-esteem in Jeollando culture through local dialects and folk parties, enjoyment of culture by diverse classes, and a contribution to the democratic movement through socialization and consciousness raising of the public.
Abstract
The name Madanggeuk used in Gwangju and Jeonnam was derived from「Gwangdae」, a theater party, and developed into 「Minye」, a theater party in Mokpo and 「Sinmyong」, a theater party in Gwangju. Inheriting the tradition of「Minye」,「Getdol」, a theater company, grew. The formation process of the subjects used in Madanggeuk activity includes the organization of a company, management, professionalism in the production of plays, and the line of the Madanggeuk movement. Madanggeuk was a progressive theatrical movement for reform in reality during the 1980s focusing on sociability, but in the 1990s, the themes became diverse. The movement of space in Madanggeuk from live fields to theaters caused some discrimination in themes which were different from previous theaters in subject and content and brought about its decline. However, achievements in Madanggeuk activity from the 1980s to 2000 are presented as follows: a higher self-esteem in Jeollando culture through local dialects and folk parties, enjoyment of culture by diverse classes, and a contribution to the democratic movement through socialization and consciousness raising of the public.
참고문헌 (24)
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