마당굿 <황토바람>에 나타난 정치성 연구

Abstract

This study aims to analyse political purpose of Madanggut targeting <Hwangto baram> which was performed in the late 1980s. <Hwangtobaram> was performed at gathering places of resistance against tax gathering in Jeollado Province. It has a different type and typicality from existing farmers' theater. Therefore, this study is to discuss public typicality, mobility and situational truth as abstract concepts and nature of Madanggut in a context of Gut. <Hwangtobaram> showed that typical characters presented as reformative personality are needed in rural society. Then, it showed awareness of characters that political struggles is inevitable through accusation of undemocratic economy in rural areas. In an aspect of performance, this study analysed a transitional process of living space into space of gathering and demonstration and again into living space. The process indicates the common people's gathering of new power. Finally, in an aesthetic aspect, it was discovered that aesthetic grounds of gathering, Madanggeuk and demonstration are collective enthusiasm and equal society through real analyses of outdoor theater performance fields. Contributions of Madanggeuk which began for succession of traditional entertainment and resistance against controversies of reality on democratization movement of 1980s should be considered to establish typicality of Korean performance culture and universality of human beings. It has a meaning in that it will present a base for valuable and creative development of Madanggeuk.