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스페인어와 이탈리아어의 노래말 구조 비교 연구

A comparative study on the structure of the words of songs between Spanish and Italian, for the purpose of developing a more effective instructional method of the linguistic rhythm

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초록

This study aims to compare the structure of rhythm between Spanish and Italian. The Korean students are very inexperienced in realizing the proper rhythm structure of the language, because in Korean there cannot be found the same or similar accentual system to the western languages. Spanish as well as Italian belong to the western Romance languages which commonly bring the tonal accent system. From this standpoint it can be said that Spanish and Italian are the most rhythmical and musical languages, and we need to pay attention firstly to the suprasegmental phonetic system and secondly to the correlation between the linguistic system and the music system. The fundamental concepts of musical structure involve such factors as rhythmic and pitch organization, dynamic and timbral differentiation, etc. Among the three major elements of the music -melody, rhythm and harmony- we have to pay a special attention to the first two, because the two are very closely related with the accent position of the words of song, and hereby we describe in detail about the organization of metrical and structural accents as well as their application to the instructional method.

Abstract

This study aims to compare the structure of rhythm between Spanish and Italian. The Korean students are very inexperienced in realizing the proper rhythm structure of the language, because in Korean there cannot be found the same or similar accentual system to the western languages. Spanish as well as Italian belong to the western Romance languages which commonly bring the tonal accent system. From this standpoint it can be said that Spanish and Italian are the most rhythmical and musical languages, and we need to pay attention firstly to the suprasegmental phonetic system and secondly to the correlation between the linguistic system and the music system. The fundamental concepts of musical structure involve such factors as rhythmic and pitch organization, dynamic and timbral differentiation, etc. Among the three major elements of the music -melody, rhythm and harmony- we have to pay a special attention to the first two, because the two are very closely related with the accent position of the words of song, and hereby we describe in detail about the organization of metrical and structural accents as well as their application to the instructional method.

참고문헌 (13)

  1. Alarcos Llorach, Emilio, "Fonología Española" (1974), Gredos
  2. Hocket, Charles F, "Curso de Lingüística Moderna" (1971), Editorial Universitaria de Buenos Aires
  3. Lerdhal, Fred, "A Genrative Ray of Tonal Music" (1983), The M.I.T. Press
  4. Quilis, Antonio, "Curso de Fonética y Fonología Españolas" (1975), C.S.I.C.
  5. Quilis, Antonio, "Curso de Lengua Española" (1980), Litografía
  6. Real Academia, "Esbozo de una Nueva Gramática Española" (1983), Espasa-Calpe
  7. Sommerstein,Alan H, "Fonología Moderna" (1977), Cátedra
  8. Zubizarreta, María Luisa, "Prosody, Focus and Word Order" (1998), The M.I.T. Press
  9. 김원필, "국내 스페인어 학습자들의 강세오류현상", 스페인어문학, (27), pp.469~491 (2003), 한국스페인어문학회
  10. 김원필, "노래를 통한 스페인어 리듬 학습 방안 연구", Foreign Languages Education, 11(1), pp.265~284 (2004), 한국외국어교육학회
  11. 이강혁, "노래로 배우는 스페인어" (2002), 문예림
  12. 이성천, "음악통론과 그 실습" (2003), 음악에술사
  13. 장대덕, "음악학 강의" (2002), 신아사

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