Zeno autobiografo
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structured in four parts and it starts with a general introduction to the author, sketching of him an actualized and not conventional image. This first part insists on the peculiar linguistic condition of Svevo, who – treating Italian as a foreign language – could be compared to a stranger writer in his own country. The essay continues by concentrating on La coscienza di Zeno, that is a peculiar kind of autobiography, written by an imaginary character who does not coincide with the author. Even though La coscienza is a work of fiction, it shares many of the elements that define an authentic autobiography. For instance, the book is crossed with reflections on memory and identity, which are the crucial problems of the autobiographic genre. By adopting a comparative method, but never forgetting the rigour of Literary Theory, this essay compares passages from La coscienza with excerpts from canonical autobiographies (mainly Elias Canetti’s one) and tries to open a wide-range perspective for an actualized and problematic study of Italo Svevo’s work.
Abstract
structured in four parts and it starts with a general introduction to the author, sketching of him an actualized and not conventional image. This first part insists on the peculiar linguistic condition of Svevo, who – treating Italian as a foreign language – could be compared to a stranger writer in his own country. The essay continues by concentrating on La coscienza di Zeno, that is a peculiar kind of autobiography, written by an imaginary character who does not coincide with the author. Even though La coscienza is a work of fiction, it shares many of the elements that define an authentic autobiography. For instance, the book is crossed with reflections on memory and identity, which are the crucial problems of the autobiographic genre. By adopting a comparative method, but never forgetting the rigour of Literary Theory, this essay compares passages from La coscienza with excerpts from canonical autobiographies (mainly Elias Canetti’s one) and tries to open a wide-range perspective for an actualized and problematic study of Italo Svevo’s work.
참고문헌 (20)
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