"제가야산독서당(題伽倻山讀書堂)" 차운시(次韻詩) 연구

Abstract

The objects of this study are the cultural landscape of Hongryudong valley in Gaya Mountain, Choe Chi-won’s(857-?) seclusion place, and rhyme-borrowing poetry of <Jegayasandokseodang>. He entered the Gaya Mountain, lived in the reading house, wrote this poems and engraved them on the rock of the valley. The reading house and the poetry stone gave a symbol to the Hongryudong scenery and expanded and reproduced the meaning of Choe Chi-won. In this study, the academical errors were corrected about the existence pattern of his poetry stone. The scenery of the poetry stone was researched through travel pieces like Gayasanyuramrok, the poetry for Gaya Mountain, the literature such as Dongkukyeoziseungram and field trips. Choe Chi-won’s handwritten poetry stone is a rock called Chiwondae and it was carved in the square style of writing Chinese characters. It is confirmed by the literature in the 16th century that the letters have been worn out in the strong valley water for many years and only four letters have been recognized. After that, Wooam Song Si-yeol again wrote a poem in the cursive style of writing Chinese characters and this is the poetry stone at opposite hill of Nongsanjeong. It was confirmed in the literature that there have been an engraver among Haeinsa monks. It is confirmed until now that there be about 60 rhyme-borrowing poems of <Jegayasandokseodang>. Most of them are in collections of works, and 14 pieces are found in the Nongsanjeong board and the rock of Hongryudong. The creation of rhyme-borrowing poems starts with the recognition of Choe Chi-won and Hongryudong cultural landscapes. The characteristics of rhyme-borrowing poems are largely classified into expression for the aesthetic sense of the Hongryudong landscapes and recreation for the seclusion consciousness contained in his original poetry. The expression for the aesthetic sense about natural sceneries is represented by a fairyland. This is the result of embodying the beautiful Hongryudong sceneries and reflecting the perception that he became a hermit. The poems recreating the seclusion consciousness of <Jegayasandokseodang> express the sympathy of the poet facing the Hongryudong landscapes for Choe Chi-won. Therefore, rhyme-borrowing poems are interpretations for the Hongryudong cultural landscapes and the later interpretation for his seclusion.