「하외십육경(河隈十六景)」과 「하회 구곡(河回九曲)」의 공간 형상과 그 의미

Abstract

This paper attempts to understand the social and cultural trends of the Yeongnam region in the 17th and 18th centuries through the spatial shape and meaning of 「Hahwaesipyukgyeong(河隈十六景)」 and 「Hahoegugok(河回九曲)」. The two works are literary embodiments of the Hahoe area through dots and lines, respectively, and are representative works that give various meanings to the Hahoe area. Moreover, these works not only embody Hahoe as a cultural space. It is noteworthy that it shows a series of efforts made by Yeongnam intellectuals in the 17th-18th century, especially Pungsan Ryu clan, to solve the problems faced by the time. Therefore, this paper analyzes 「Hahwaesipyukgyeong」 and 「Hahoegugok」 and examined how the two works construct the same space through different structural methods, and how Hahoe area appears in the actual contents of the work. 「Hahoegugok」 is a work that was greatly influenced by 「Hahwaesipyukgyeong」, as there is such an influence relationship, the two works show many similar appearances in shaping Hahoe. This paper examined this by dividing it into an interest in everyday space, an expression of excitement, and an ascetic and Taoistic space for ancestors. In addition, discussions were conducted by linking the meaning of these works with the social and cultural context of the Yeongnam region of the time. In a situation where Yeongnam's political alienation and the need to strengthen the position of Pungsan Ryu Clan are required, Pungsan Ryu Clan among Yeongnam intellectuals created such works to solve the problems of the time. It was examined that behind the work, there is a creative consciousness to expand family consciousness by implementing family consciousness and combining academic background.