대한제국기 고종황제의 행차와 악대

Abstract

Detailed contents about the aspects or scale of an emperor’s ceremonial process after Kojong’s 高宗 accession appear in Nobu 鹵簿 (Taega 大駕, Pŏpka 法駕, Soga 小駕), Sŏngnae tongga paeban chido 城內動駕排班之圖, or Sŏngoe tongga paeban chido 城外動駕排班之圖 of Taehan yejŏn 『大韓禮典』. Among these, Taega nobu 大駕鹵簿 was associated with Won'gu cherye 圜丘祭禮 which only the emperor could perform, and it had the largest scale, so it can be said to be the essence of an emperor’s ceremonial process which the Taehan Empire did pursue. Although Taega nobu in Taehan yejŏn 『大韓禮典』 maintained the major frame of Ŏga haengryŏl 御駕行列 in the late Chosŏn 朝鮮 Dynasty, it also reflected the aspects of changes at that time. In other words, it tells us the situation about the elevation of his status as an Emperor, aspects of modernization, or pursuit of the Emperor-centered system. There were two types of bands appearing in the Taega nobu 大駕鹵簿 of emperor Kojong. They were naech'wi 內吹 and a military band (Kunaktae 軍樂隊). This article discusses naech'wi’s instruments, costume, members, the institution it belonged to, or the organization managing its finance. And it suggests a possibility that the military band can be understood in two ways; the first is naech'wi, and the second is a Russian-style military band. Taega nobu 大駕鹵簿 was exposed when there was a ceremonial process for Wŏn'gu cherye 圜丘祭禮. The press of the time was proud of the magnificence of the emperor’s ceremonial process and noticed the golden color symbolizing an emperor. The newspaper articles did not mention the band affiliated to Taega nobu directly, but we can assume that the members of naech'wi 內吹 played taech'wit'a 大吹打 so proudly wearing hwangch'ŏllik 黃天翼 to brighten the splendor of the emperor’s ceremonial process. In particular, hwangch'ŏllik which naech'wi did wear was made of colors like bronze or gold symbolizing an Emperor, so it must have gone well with the parade. According to Emperor Kojong’s ceremonial process and band examined here with Taega nobu in Taehan yejŏn, they were differentiated in that they attempted to visualize the modernized Taehan Empire as well as the aspects of it well maintained with the emperor-centered system.