김수영의 시적 탈분단화 양상

Abstract

The purpose of this paper is to identify Kim Soo-yeong's poetry in the category of divisional literature. Currently, the issue of division is an important topic of Korean literature, and Kim Soo-yeong's poetry is strongly related to the sense of division. He experienced division and war painfully, but he attempted to reflect and solve the problems of division through poetry. In his poem, with the intention of dismantling the division structure to overcome the internalization of division, he tested the poetic mixture(混淆) of destroying the boundaries and confrontations between reality and consciousness and mixing hostile objects. Along with the series of “Enemy”, “Modern Bridge” and “Huge Root” are works embodied through poetic mixing toward departmentalization. These attempts lead to poetic fusion(融化) with poetic inversion(轉倒). Poetic evangelism was realized through a scene in which the fragile subject went beyond a powerful object in the series of “Petal,” which is more clearly explained by the paradox used in 「Anti-Poetics」 and 「Poetry, Spit Your Spit」. In particular, the word “The Whole Body” represented by “The Poetics of The Whole Body” is a symbol of poetic harmony. It reaches the existence of the ‘The Grass’ of ‘The Grass’ and sublimates into an object of poetic harmony that goes beyond confrontation and conflict. Kim Soo-yeong personally showed the direction of division literature by poetic division and expanded the topography of division literature.