1980년대 무크문학과 무대 재현의 욕망- 부산 무크지 『지평』과 『전망』에 수록된 희곡작품을 중심으로 -

Abstract

Mook claims to be an underground periodical that pioneers local literature, It was the practice of a cultural movement to challenge the authoritarianism of the literary world and embody the lives of the people with the aesthetics of realism. Mook mainly contains a variety of writings and literary works by writers active in the region where it is published. In that case, it is essential to study the literary works included in Mook in the Busan area. Our New Drama Movement confronts the situation of the times and it inherited the spirit of realism by incorporating various styles of foreign dramas. In this socio-cultural context, the theatrical world of the 1980s attempted to diversify the theater world by attempting various experimental drama styles. Mook of Busan “Horizon”, “Prospect” included Kim Moon-hong's ‘Vertical Fantasy’(1985) and Ha Chang-gil's ‘Crying Sound’(1986), ‘String’(1986), and ‘Half God & Half Beast’(1986), all created by Busan-area drama-wrights. These creative dramas, unlike the plays included in the surrounding local magazines, attempted an experimental play style, and in particular, they revealed their uniqueness and worldliness in that they actively utilized epic dramatic techniques. The stage recreated in this work does not accurately reproduce reality, but rather breaks the fourth wall by introducing a narrator, destroys the causal relationship of the drama, and sets up a very unfamiliar stage and performance by intentionally blocking emotional involvement, thereby creating an alienating effect. The spectator who witnesses the stage thus created senses the absurdity. Forming a driving force to criticize and publicize the ideas, habitual thoughts, and emotions of the real world that were taken for granted and not considered problematic at all. This is precisely the desire to reproduce the stage that practices the aesthetics of realism.