포스트-포토그래피: 현대예술 매체로서의 사진의 재고(再考)
Post-Phptpgraphy:Reconsideration of Photogaaphy as Contempoary Art Medium
0
조회
0
다운로드
6
인용
0
참고문헌
초록
Abstract
Post-photography does not simply indicate new photography. Rather, it implies the returned photography with new aspects, and the practically and theoretically expanding photography. In contemporary art, photography has overcome its traditional myth of the faithful duplication of reality. While it cannot be denied that the firm belief on photography has disappeared, the praise for the traditional myth is still going on. The collapsed belief plays roles not only in escaping the concept of photography as duplication and documentation, but also in supporting opportunities to reconsider the concept of representation. The conceptual interpretation and the aesthetic consideration of digital photographic images are coming out in these days. These blessings are the responsibility for the pioneering task of photography. Beyond the traditional photography, post-photography is intriguing various and multilateral discourses, and it would be necessary to reconsider photography in the age of new art media.
참고문헌 (9)
- "Reflections on Photography" (1980)
- "U of California P" (1967), What is Cinema?
- "Techniques of the Observer" (1990)
- "Memoirs of the Blind U of Chicago P" (1993)
- "The Four Fundamental Concepts of Psycho-Analysis" (1973)
- "Visual Truth in the Post-Photographic Era" (1992)
- "Collected Papers of Charles Sanders Peirce" (1960)
- "Preface, Electronic Culture", pp.6~10 (1996), Aperture
- "An Introduction to Jacques Lacan through Popular Culture" (1991)