<밝은 방>에 나타난 사진의‘유토피아적 시간과 낯익음’ : 찰스 클리포드의 알함브라(Alhambra) 사진을 중심으로
Utopian Time and 'Heimlich' of Photography in <La Chambre claire> : Focusing on Charles Clifford's "Alhambra"
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The purpose of this study is to examine about Utopian time and ‘Heimlich’ of Photography. In the pursuit of this purpose, it would be focused on Charles Clifford’s Alhambra(1854) in <La Chambre claire>. I mainly discuss here the photography and text of Chapter 16 at <Part I> provides by Roland Barthes’ <La Chambre claire>, since the chapter seems one of a new fantasmatic image and intertexts on photo-text. And Barthes provides the essence of the photography that he is awakened the Mother and never the disturbing Mother. When he mentions Utopian time and ‘Heimlich” of the Mother as the essence of photography, he is describing with intertext of Pierre Loti, Blaise Pascal, Charles-Pierre Baudelaire, Sigmund Freud, Jean –and Thibaudeau - Jean-François Chevrier’s writings. I consider Barthes delicately presents the fantasmatic image of the Third through the intertexts at photo-text of photography which is his imaginative consciousness. I also explore a paradoxical perspective between Freud’s Unheimlich and Barthe’s Heimlich of the Mother within the intertexts.
Abstract
The purpose of this study is to examine about Utopian time and ‘Heimlich’ of Photography. In the pursuit of this purpose, it would be focused on Charles Clifford’s Alhambra(1854) in <La Chambre claire>. I mainly discuss here the photography and text of Chapter 16 at <Part I> provides by Roland Barthes’ <La Chambre claire>, since the chapter seems one of a new fantasmatic image and intertexts on photo-text. And Barthes provides the essence of the photography that he is awakened the Mother and never the disturbing Mother. When he mentions Utopian time and ‘Heimlich” of the Mother as the essence of photography, he is describing with intertext of Pierre Loti, Blaise Pascal, Charles-Pierre Baudelaire, Sigmund Freud, Jean –and Thibaudeau - Jean-François Chevrier’s writings. I consider Barthes delicately presents the fantasmatic image of the Third through the intertexts at photo-text of photography which is his imaginative consciousness. I also explore a paradoxical perspective between Freud’s Unheimlich and Barthe’s Heimlich of the Mother within the intertexts.
참고문헌 (17)
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