롤랑 바르트의 『밝은 방』에 나타난 ‘interfuit’의 의미와 효과

Abstract

The purpose of this study was to examine why time characteristics of “interfuit” of Camera Lucida of Roland Barthes was nature of the photograph, and how the time characteristics created punctum of inherent aesthetic experience of the photograph, and how the time characteristics could produce rich value over visible photograph and remind mad truth. The existence between of interfuit could be disclosed by subjective experience of the one who watched photograph: So,the photograph in directional action of imaginative consciousness of Jean Paul Sartre should be not an object but thing between existence and absence to be value of the consciousness of the one who watched, and noeme was found to be nothing. In a word, interfuit that was feature of time and space of the photograph regarded life as desire to keep life and to delay by death and to be vacant space and to produce value of the world by néant, and to have extra value on the existence, and to watch inner side out of view, and to deny actual life and make change of it by power and madness. Such a thing could give plenty of implications in modern days when the power of madness were filled to consume all of scenes by ‘spectacles.’