시사다큐멘터리의 다큐영화 장르전환에 따른 재현 차이에 관한 연구: 영화 <삽질>을 중심으로

Abstract

This study aims to grasp the various meanings of how the Representation is changed and what elements are appealing to the public as the TV current-affairs documentary is converted into a movie. In particular, we analyzed the characteristics of video Representation of the documentary film <Sabgil>, in which the four major river-related programs produced as "Documentary" on TV were converted into "Documentary Movies". And despite the evaluation of a high-quality documentary film, the reason why the audience was turned away was confirmed through various analysis. As a result of the study, the discourse characteristics of the TV current-affairs documentary <The Four Rivers, The Secret of 6-meter Depth> and the film <Sabgil> showed similarities in many ways. For example, in the narration expression method, it was found that both works used a lot of interviews and data screens of the person concerned to emphasize objectivity and reality. It is also very similar that the argument structure was adopted to prove the content of speech. In addition, it was confirmed that there was no significant difference in the video expression method due to past data and interviews with related persons. Looking at the results of the analysis of the internal factors of the documentary film <Sabgil> according to genre conversion, it showed a narrative structure in which the similar cases were repeated in the story structure of the film, or the boredom in a format where the interview of the persons concerned lasted for a long time. Even in the video Representation, cinematic elements were not added, and by using more data screens than TV documentaries, it was hardly provided for the audience to see. Consequentially, the lack of cinematic success factors led to the film's failure. This film, however, succeeded in delivering the true message of the Four Major Rivers Project while guaranteeing realism and objectivity.