조선시대 風雲雷雨(풍운뇌우) 제례와 음악

Abstract

Pungwunnoewoo(風雲雷雨) is a collective name for the four deities who are in charge of wind, cloud, thunder, and rain related to climate. It has been worshiped since ancient times because weather conditions had a great influence on farming that was considered to be. In the early days of the Joseon Dynasty, it was defined as one of the Jungsa(中祀) during the maintenance of the court rites(國家祀典) in the Confucian style, and it was important to recognize the meteorological conditions directly related to the production of 'food' because it was closely related to a bountiful harvest. It was a reflection of the atmosphere at the time. The ceremonial procedures were registered in the Sejong Sillok(世宗實錄) Oryeui (五禮儀) based on the framework formed during the King Taejong 太宗 and the system supplemented by the King Sejong(世宗). And as the Wonguje(圜丘祭) was not implemented after the King Sejo(世祖), his status as a god became the highest and attracted more attention, and such a change was reflected in Gukjo Oryeui(國朝五禮儀). However, since Gukjo Oryeui(國朝五禮儀) is a book of five rites, it was written mainly about rituals, so it was necessary to refer to Akhak Gwebeom(樂學軌範) for detailed information about music. In Akhak Gwebeom(樂學軌範), the musical changes such as the type and quantity of instruments, and the method of the musical performance were reflected. On the other hand, in the late Joseon dynasty, Chinhaenggiwoo(親行祈雨) was also added to Chungwantonggo(春官通考). In the case, Gochi(鼓吹) was added to the Geoga Chugung(車駕出宮), but it was not played. The ceremonial procedures and musical dances were performed like regular rituals and even Jinchanrye(進饌禮) was added. It changed in a way that the rank was raised due to the king's authority. Furthermore, King Jeongjo(正祖) regarded Pungwunnoewoo(風雲雷雨) as very important to the point of equating it with Wongudan(圜丘壇), which was also a point of connection with Joseon Joonghwajooeui(朝鮮中華主義). As such, the ritual performed by the Pungwunnoewoo(風雲雷雨) had the primary purpose of relieving the drought for the sake of abundance, but on the other hand, as the Wonguje(圜丘祭) was abolished after the King Sejo(世祖), it was the most It was also a ritual towards a higher deity. Therefore, it is also connected with the symbolism that it was a heavenly system that can be implemented in the dynasty, and it has a certain meaning in that it was one of the important royal ceremonies despite belonging to the Jungsa(中祀).