경주 지역 석탑에 부조된 팔부중상과 圖像本에 대한 試論

Abstract

In the later 8th century, there are relieves of various iconography on the surface of stone pagodas in Silla and Eight Devas is one of them. Up to this time, studies on Eight Devas for relief on the stone pagoda have been mainly on the iconography and arrangement thereof. However, this article has raised possibility that the model painting for iconography could be facilitated when producing the image of Vollplastik when the brief image on ancient pagoda was inscribed around statues of Eight Devas of the stone pagoda produced in the Gyeongju area. From statues of Eight Devas with brief on approximately 10 stone pagodas and pagoda materials produced in the Gyeonggi area, the cases that utilized the same model painting are confirmed of pagoda materials of Dameom-temple Site, stone pagoda of Namsanri-temple site, east pagoda of Sungbok-temple site and stone pagoda of Changlim-temple site. Those premises show that the same model painting was used through the same style in posture of image, direction and position of feet and hands, swaying of heavenly clothes, bansu(half sleeve) and necklace expression and so forth, and the partial formative change is confirmed to change following the variables of the applicable stone pagoda, such as, size of surface for thee stone pagoda on the basis of the same model painting. Furthermore, statues of Eight Devas with brief on 4 pagodas and pagoda materials was existed and utilized for a set of the illustrated image copy of Eight Devas combined in 8 devices. And, based on the foregoing, from the brief image of the stone pagoda in Changlim-temple site, it is presented with the possibility that the image known today as the Geondalba to be the Garura.