두봉 이병성의 생애와 음악 활동 고찰

Abstract

Yi Pyŏng-sŏng is a member of Korea's representative hereditary royal court family, and is the fourth generation in the family line, following Yi In-sik, Yi Wŏn-gŭn, and Yi Su-gyŏng. He was a member of the second class of Yiwangjik Aakpu Training Center and majored in P'iri and yanggŭm, but perhaps due to his family influence, his musical talent stood out compared to his fellow students. Yi Pyŏng-sŏng stood out among his seniors, juniors, and classmates for his outstanding voice and talent in songs, and he is remembered as a master of songs that influenced the world to the point that he is remembered as a good singer to this day. Yi Pyŏng-sŏng's musical activities began in 1928, and his ability to play not only the P'iri, which was his specialty, and yanggŭm, which was his specialty, but also various instruments, can be found through photos of Yiwangjik Aakpu performance photograph, recordings, Kyŏngsŏng Broadcasting Station radio, and Yisŭphoe. In particular, following Ha Kyu-il, he sang a wide range of repertoires, Kagok(歌曲), Kasa(歌詞), Sijo(時調) starting in the mid-1930s. Yi Pyŏng-sŏng was also in charge of the female singer in the men's and women's song songs that appear to be the main repertoire, and it is unique that with this composition, he appeared several times on radio broadcasts as well as presentations at Yisŭphoe. Although he enjoyed musical activities centered on Kagok, he was a versatile person who also consistently played musical instruments. In addition to the Kagokbo(歌曲譜) he transcribed, the mubo(舞譜) included Chŏngjae are still valuable materials to this day.