행위로서의 사진과 퍼포먼스 - reMEMBERed, Versus 시리즈를 중심으로 -

Abstract

This thesis is a study on the possibility of extension of photography from the process of taking portraits, which aims to result in a photographic image, to a performance art in which the process itself becomes the center of the work. The background and development process of the work are centered on the photographic series reMEMBERed (2002), Pseudonym (2004), and Versus (2007), as well as the performance works 18x1Minute (2004) and Versus (2007-2012) derived from photographic works. In addition, noteworthy parts of the contents that various theorists have described about the artist's work are extracted and compared with the author's thoughts. Based on this, various examples of a performance work, which is a work as a work itself and ‘photography as a holistic experience of space and time’, is presented along with the image of the work, and through this, the possibility of new recognition of the photographic medium is discussed.