전북사진문화사의 태동기(1884-1945)에 대한 연구
A Study on the Birth of Jeonbuk Photographic Culture History(1884-1945)
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The purpose of this study is to examine the history of Jeonbuk photography culture and to identify the historical significance and cultural and social value of photography. For this purpose, not only the diachronic method but also the synchronic method of checking from the perspective of cultural history and photographic trends was applied. The birth of Jeonbuk Photographic Culture History was seen as the period from 1884 to 1945, when ‘Jeolla Gamyeong’ was photographed and people came into contact with photography culture, a period when photography culture was blossomed under the influence of the Japanese photography world. It looked at Jeonbuk that was captured by imperial cameras such as George Foulk, William Junkin and Ryuzo Torii, a photography culture emerged with the opening of Japanese and Korean photo studios and photography material shops, the inauguration of <All Joseon Photographic Federation(Jeonjoseonsajinyeonmaeng)>·<Jeonju Photography Federation(Jeonjusajinyeonmaeng)> and the emergence of artistic photography, and the photography activities of Shin Chil-hyun, Yoo Chul-soo, and Chae Won-seok. Accordingly, this study, which examines the origins of Jeonbuk photography culture and its development process during its embryonic period, is significant in that it establishes itself as the first study to organize the history of Jeonbuk Photographic Culture, and expands the horizons of Korean photography history.
Abstract
The purpose of this study is to examine the history of Jeonbuk photography culture and to identify the historical significance and cultural and social value of photography. For this purpose, not only the diachronic method but also the synchronic method of checking from the perspective of cultural history and photographic trends was applied. The birth of Jeonbuk Photographic Culture History was seen as the period from 1884 to 1945, when ‘Jeolla Gamyeong’ was photographed and people came into contact with photography culture, a period when photography culture was blossomed under the influence of the Japanese photography world. It looked at Jeonbuk that was captured by imperial cameras such as George Foulk, William Junkin and Ryuzo Torii, a photography culture emerged with the opening of Japanese and Korean photo studios and photography material shops, the inauguration of <All Joseon Photographic Federation(Jeonjoseonsajinyeonmaeng)>·<Jeonju Photography Federation(Jeonjusajinyeonmaeng)> and the emergence of artistic photography, and the photography activities of Shin Chil-hyun, Yoo Chul-soo, and Chae Won-seok. Accordingly, this study, which examines the origins of Jeonbuk photography culture and its development process during its embryonic period, is significant in that it establishes itself as the first study to organize the history of Jeonbuk Photographic Culture, and expands the horizons of Korean photography history.