인장 애호가 이용문(李容汶)이 제작한 《전황당인보(田黃堂印譜)》 연구

Abstract

Yi Yong-Mun is a collector of antique paintings, calligraphy and seals in the modern period. He went to Beijing in the summer of 1928 to purchase quality seal materials such as jeonhwangseok, while traveling in China and buying many old seals. Those seals were engraved by Oh Se-chang and Kim Tae-seok, who represented the domestic engraving field at the time, and Matsuura Yougen and Oishi Nanzan, who were Japanese seal engravers active in Gyeongseong. In addition, when Min Yeong- ik lived at Cheonsimjukjae in Shanghai, he received a seal engraved by Oh Chang-seok of the Qing Dynasty, and Yi Yong-Mun took over most of the seals. Jeonhwangdang-inbo is made into 4 books by selecting these seals and editing them. This study is to restore the life of Yi Yong-Mun, which has been shrouded in veil, and to discuss the art-historical value of Jeonhwangdang-inbo. This study revealed the year of birth and death of Yi Yong-Mun and confirmed that he survived until the Korean War in 1951. Jeonhwangdang-inbo contains many stamps and rubbings on the sides of seals of engravers representing Korea, China, and Japan in the modern period, which is very important as a modern book of seal impressions. In particular, many seals of Shanghai School such as Oh Chang-seok were included, which became an important basis for the domestic trend of Oh Chang-seok’s engraving style during the Japanese colonial period. It is also an important discovery that Yi Yong-geol, who has not been highlighted as a engraver, used a new sense of engraving style. Ultimately, Jeonhwangdang-inbo has special significance in that it allowed the genre of seal engraving to take its place as an area of modern Korean art, and that it served as the main basis for seals to be recognized as works of art.