19세기 말~20세기 초 한(韓)·중(中) 서화가들의 교류와 오세창(吳世昌)의 전각(篆刻)

Abstract

In the late 19th century and early 20th century, as Epigraphy(金石學) grew into a single academic area, new chapters were opened in the fields of painting and calligraphy, respectively. During this period, Wu Xizai(吳讓之, 1799~1870), zhàozhīqiān(趙之謙, 1829~1884), and Wú Chāngshuò (吳昌碩, 1844~1927), who were active in the Shanhai School(海上畫派), were known as a group of epigraphy among the Shanhai School painters, especially those who were closely related to the late Joseon Dynasty and modern period. The Shanhai School influenced Korea's modern Seal-engraving through active and active exchanges with the artistic circle at the end of the Joseon Dynasty. Among them, the seal-engraving of Oh sechang, called the founder of Korea's modern seal-engraving, deserve special attention. The exchanges of writers from Qing and Joseon, formed through the 19th century ties, turned out to be various cultural and artistic achievements in the late Joseon period and the modern Korean calligraphy circles, and Oh Se-chang is pioneering in the calligraphy and seal-engraving based on his data and knowledge on an epigraph Oh Se-chang approached the letter of memorial stone wave through various Stone inscriptions collected from his father Oh Kyung-seok, and acquired the techniques of the Seal-engraving through various accounts of the Qing Dynasty. Based on the influence of the Seal-engraving, such as Dèng shírú(鄧石如, 1743~1805), Xú sāngēng(徐三庚, 1826~1890), and Wu Xizai(吳讓之), formed a variety of different styles. In particular, "Oh Chang-seok Inbo(印譜)," which was owned by Oh Se-chang, contained works that were clearly influenced by Oh Chang-seok. They include Oh Se-chang's "The Real Master of the Ancient Koguryŏ Silla Dynasty" and his name, " A Stamp of Oh Se-Chang." In addition to the influence of Qing seal-engraving, Oh Se-chang's seal-engraving feature not only hieroglyphics, an inscription on a stone monument, but also figures and pine tree-bamboo-plum(松竹梅), and names of types, including Ah Ho-in(雅號印), Gil Sang-in(吉祥印), and Jang Seo-in(藏書印). Based on the data and knowledge of the inscription on a stone monument characters, this is characterized by the fact that the work is being completed with a perfect and accurate schematic method, after being laid out with a wide range of self-help methods to maximize.