해암(海巖) 유경종(柳慶種) 가문의 인장(印章) 활용 양상에 대한 연구

Abstract

Even though stamps are interesting objects in Korean culture, there have not been many researches on them. Thus, this thesis concretely researched a phase of utilizing stamps by focusing on Liu Gyungjong(柳慶種) actively working in Ansan(安山) region of Gyeonggi-do in the 18th century, and also on the people around him. Chapter2 examines the testimonies related to stamps through 『Haeamgo(海巖稿)』 by Liu Gyungjong. He left relatively plentiful records of stamps from his 20s to his 60s. His taste in stamps was based on paintings which incorporated poetry and calligraphy as well as the art of engraving stamps. All this originated from an artistic relationship between him and his brother-in-law Kang Sehwang(姜世晃). The contents that were understood through records and testimonies became precious clues for interpreting the paintings enjoyed by surroundings of Liu Gyungjong, his collection of stamps, and actual stamps. Chapter3 considers the actual utilization of stamps by the family of Liu Gyungjong. First, through analyzing <Hyeojeongseungjipdo(玄亭勝集圖)>, the research shows that Liu Gyungjong and the people around him actively used stamps. Second, the chapter introduces a collection of stamps 『Haeaminseo(海巖印所)』. This precious booklet of stamps is a copy of original text of Inbo that was sealed with 236 stamps and presented by Kang Sehwang to Liu Gyungjong. The copy was made by Liu Sin(柳賮) who was a cousin of Liu Gyungjong. Through these stamps, the prologue and the epilogue, the reality of stamps in the collections and the perception of those stamps is revealed. Lastly, the stamps themselves are reviewed. Roughly 29 stamps entrusted by Jinju(晉州) Liu Clan to Seongho(星湖) Memorial Hall in Ansan City include the actual articles used for Inbo(印譜) and the paintings researched above. In conclusion, the family of Liu Gyungjong of the 18th century was a rare case in that we are able to verify all the books of poetry & paintings, Inbo, and the actual stamps. Through this study, the utilization of stamps in the Joseon Dynasty is more clearly illuminated.