서풍에 발현된 자아: 《연강임술첩(漣江壬戌帖)》(1742)의 신유한 글씨를 중심으로

Abstract

Shin Yu-han, a literary man in the late Joseon Dynasty, was a master of emulating ancient classics who made a name for himself in the Joseon literature in the first half of the 18th century and had a great influence on the younger writers. Although he became a bureaucrat, he decided to become a hermit and turned his back on the world. In October 1742, Shin Yu-han, who served as the governor of Yeoncheon, Gyeonggi-do, participated in a boating on the Imjin River at the request of Hong Gyeong-bo, a Gyeonggi observer, at which he composed ‘Uijeokbyeokbu擬赤壁賦’, which imitates the ‘Jeokbyeokb赤壁賦’ written by So-sik蘇軾, who opened a boating under the red cliff of Hwangju, China in 1082, and Shin wrote it in his own hand. Jeong-seon鄭敾, who was the best painter and county governor of Yangcheon at the time, also attended the boat show held by Hong Gyeong-bo and painted the view of the boat play. When Shin Yu-han’ s writings and Jeong Seon' s paintings were all completed, Hong Gyeong-bo, an observer, also wrote an article to commemorate the day, and gathered these sentences and pictures to make three albums and call them “Yeongangimsulcheop漣江壬戌帖”. Currently, there are two pieces of “Yeongangimsulcheop”, and one of them has the handwritten writings of Shin Yu-han, Hong Gyeong-bo, and Jeong Seon. Shin Yu-han praised Hong Kyung-bo’ s demeanor in his ‘Uijeokbyeokbu’, which he wrote, and included content that seemed to have thought of his position as an outsider, and the text was written in a very unique standard script style. His calligraphy style was far from the old method of Wang Hee-ji王羲之, which was popular in Joseon in the first half of the 18th century, and was completely different from Songseol-style松雪體 of Zhao Meng-fu. The personality shown by Shin Yu-han' s standard script has a remarkable calligraphy style compared to the styles of Hong Gyeong-bo, an observer who made “Yeongangimsulcheop” together, and Yangcheon Governor Jeong-seon. Hong Gyeong-bo was very skilled in the calligraphy style of Zhao Meng-fu, who was favored by the royal family of Joseph Dynasty, and Jeong-seon, an outstanding painter, wrote the record writing of “Yeongang Imsulcheop” as a calligraphy style that followed the tradition of Wang Hee-ji, which was common at the time. In this point, Shin Yu- han did not follow the specific calligraphy style of the classical masters, but represented himself as a minority in his own rugged standard script. His tendency can be said to be a distinct peculiarity even in contrast to the cases of Hong Gyeong-bo and Jeong Seon, which were embodied by digesting the trends of the time. Based on the personality of Shin Yu-han’ s handwriting, which academia has not paid attention to so far, this article revealed that Shin Yu-han’ s personality was represented in his calligraphy style. This attempt can be seen as an important achievement in the first half of the 18th century.