베를렌 (Verlaine) 시의 단순성의 미학
The Aesthetics of Simplicity in Poems of Verlaine
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Paul Verlaine, one of the French poet of the symboliste movement, is popular for his simple and easily understandable writing style. However, people have found that his poems are not just simple but that both the poetic meaning and forms are harmonized perfectly. Verlaine, in fact, appreciated and pursued ‘the beautiful simplicity’ in his poetry, and made effort in writing to remove unnescessary elements and elaborate his style effectively. The seven poems in “Paysages tristes”, part of Verlaine’s first collection, Poèmes saturniens, shows the fundamental characteristics of his poetic style. These characteristics reveals the unity of verlaines written works and how these poems connect the emotion of ‘melancholy’ to ‘reminiscence’. In addition, this connection is developped and revealed through the use of repetition. Repetition is the integral element of poems and a marvelous way to portray simplicity and musicality. The repetition of phoneme, vocabulary, phrase, and strophe influences the formality in Verlaine’s poems, and the repetition of similar vocabulary affects the final Signification of the Look. The paper analyzes the poems in three ways: the repetition of phoneme, the repetition of vocabulary, and the circular structure of repetition. Verlaine uses repetition not mechanically but delicately and fully. Repetition in Verlaine’s poems shows the matchless beauty of sophistication among the French poems.
Abstract
Paul Verlaine, one of the French poet of the symboliste movement, is popular for his simple and easily understandable writing style. However, people have found that his poems are not just simple but that both the poetic meaning and forms are harmonized perfectly. Verlaine, in fact, appreciated and pursued ‘the beautiful simplicity’ in his poetry, and made effort in writing to remove unnescessary elements and elaborate his style effectively. The seven poems in “Paysages tristes”, part of Verlaine’s first collection, Poèmes saturniens, shows the fundamental characteristics of his poetic style. These characteristics reveals the unity of verlaines written works and how these poems connect the emotion of ‘melancholy’ to ‘reminiscence’. In addition, this connection is developped and revealed through the use of repetition. Repetition is the integral element of poems and a marvelous way to portray simplicity and musicality. The repetition of phoneme, vocabulary, phrase, and strophe influences the formality in Verlaine’s poems, and the repetition of similar vocabulary affects the final Signification of the Look. The paper analyzes the poems in three ways: the repetition of phoneme, the repetition of vocabulary, and the circular structure of repetition. Verlaine uses repetition not mechanically but delicately and fully. Repetition in Verlaine’s poems shows the matchless beauty of sophistication among the French poems.
참고문헌 (14)
- Verlaine, "Oeuvres poétiques complètes, In Bibliothèque de la Pléiade" (1962), Gallimard
- Verlaine, "Oeuvres en prose complètes, Texte établi, présenté et annoté par Jacques Borel, Bibliothèque de la Pléiade" (1972), Gallimard
- 이진성, "프랑스 시법 개론" (2002), 만남
- 프로이트 지그문트, "쾌락원칙을 넘어서" (1997), 열린 책들
- Bardèche, Marie-Laure, "Le Principe de répétition" (1999), L’Harmattan
- Bornecque, Jacques-Henri, "Les Poèmes saturniens de Paul Verlaine" (1977), Nizet
- Dubois, Claude, "Paul Verlaine-Poèms saturniens" (1998), Ellipses
- Michaud, Guy, "L’oeuvre et ses techniques" (1957), Nizet
- Molino, J., "Introduction de la poésie" (1982), Seuil
- Morier, Henri, "Dictionnaire de Poétique et Rhétorique" (1988), puf
- Murphy, S, "Verlaine" (2007), Atlande
- Souriau, Etienne, "Vocabulaire d'Esthétique" (1990), puf
- Vaillant, Alain, "La Poésie" (1992), Nathan
- Zimmermann, Eléonore, "Magie de Verlaine" (1981), Slatkin